File:Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra)- 'It's no use crying out' (Ho hay que dar voces.) MET DP817459.jpg

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Captions

Captions

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.), print, Goya (Francisco de Goya y Lucientes) (MET, 53.540)

Summary

[edit]
Francisco Goya: Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out' (Ho hay que dar voces.)   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Francisco Goya  (1746–1828)  wikidata:Q5432 q:en:Francisco Goya
 
Francisco Goya
Alternative names
Francisco Goya Lucientes, Francisco de Goya y Lucientes, Francisco José Goya Lucientes
Description Spanish- painter, printmaker, lithographer, etcher, drawer and visual artist
Date of birth/death 30 March 1746 Edit this at Wikidata 16 April 1828 Edit this at Wikidata
Location of birth/death Fuendetodos Bordeaux
Work location
Madrid, Zaragoza, Bordeaux
Authority file
artist QS:P170,Q5432
Title
Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out' (Ho hay que dar voces.)
Description
Print; Prints
Date 1811–12
Medium Etching, burnished aquatint, burin and burnisher
Dimensions

Plate: 6 in. × 8 1/16 in. (15.2 × 20.5 cm)

Sheet: 7 1/2 × 9 13/16 in. (19.1 × 25 cm)
institution QS:P195,Q160236
Current location
Drawings and Prints
Accession number
53.540
Credit line Harris Brisbane Dick Fund, 1953
Source/Photographer

https://www.metmuseum.org/art/collection/search/334160

Permission
(Reusing this file)
Creative Commons CC-Zero This file is made available under the Creative Commons CC0 1.0 Universal Public Domain Dedication.
The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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