File:Print, Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City), 1633 (CH 18653543).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(4,096 × 3,182 pixels, file size: 15.67 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary[edit]

Abraham Bosse: English: Print, Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City), 1633   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Abraham Bosse  (1604–1676)  wikidata:Q326215 s:it:Autore:Abraham Bosse
 
Abraham Bosse
Alternative names
A. Bosse; Bosse Abrah.; Bossee; [Abraham Bosse]
Description French engraver, etcher, painter, drawer, graphic artist and copper engraver
Date of birth/death circa  Edit this at Wikidata 16 February 1676 / 14 February 1676 Edit this at Wikidata
Location of birth/death Tours Paris
Work location
Paris (1620–1676) Edit this at Wikidata
Authority file
artist QS:P170,Q326215
Title
English: Print, Le Retour du Baptesme (Return from the Baptism), Plate IV, from Le Mariage à la Ville (Marriage in the City), 1633
Description
English: In a fashionable upper-middle class interior, a mother receives her new infant daughter from the "foster mother" while siblings and friends look on. The mother reclines in a stylish four-poster "box-shaped" bed (popular 1625-75) with hangings and coverings matching the upholstery on the nearby chair. Cups with ostrich feathers crown the four bedposts. A servant sets a table with tarts and fruits to celebrate the event. On the back wall, a tapestry depicting Diana, the protectress of childbirth and goddess of chastity (like Daphne, her arms are turning into laurel leaves). Scene is surrounded by a palmette-decorated frame.
Date 1633
date QS:P571,+1633-00-00T00:00:00Z/9
Medium etching with engraving on thin white laid paper
Dimensions 29.9 x 38.6 cm (11 3/4 x 15 3/16 in. )
institution QS:P195,Q1129820
Current location
Drawings, Prints, and Graphic Design
Accession number
1996-33-1
Credit line Museum purchase from Smithsonian Institution Collections Acquisition Program and Eleanor G. Hewitt Funds
Inscriptions Watermark: Unidentified: Bunch of grapes (with unread letters countermark)
Notes
  • Type: Print
  • Inscribed: Inscribed in plate, lower margin, left: Ayant apprehende quelque danger de mort,/ Ma peine s'est changee en un bon heur extreme,/ Puis que mon cher enfant que j'estime si fort/ Libre du tout peril a receu le baptesme./ In center: Mademe vostre fille est maintenent Chrestienne,/ Elle a receu le nom de Marie aujourdhuy,/ Je prie Dieu pour elle, afin qu'il la maintienne,/ Et vous pareillement, sans peine, et sans ennuy./ At right: Puisse un jour celle fille à la gloire des siens,/ Se fair renommer aussy sage que belle,/ Et se voir à la fin au comble de tous biens,/ Voila quels sont les veux que nous faisons pour elle. [Having feared death, my pain is changed to good luck since my child who I love so much is free from danger and has received baptism. Madame, your daughter is now a Christian. She received the name of Mary today. I pray to God that he will keep her and you free from difficulty and vexation. Make this young girl the glory of her family. Make her famous, as wise as she is beautiful and see that she is overwhelmed with good things. These are the wishes that we make for her.] Underneath in one line: Le retour de Baptesme faict par Abraham Bosse et ce vendent à Paris chex luy en l'isle du Palais proche le pont neuf. [The return from Baptism made by Abraham Bosse and this is sold in Paris at his place on the Isle du Palais near the Pont Neuf.]
  • Period: Baroque
  • Country: France
Source/Photographer Catalog Photo

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current05:27, 8 December 2017Thumbnail for version as of 05:27, 8 December 20174,096 × 3,182 (15.67 MB) (talk | contribs)Cooper-Hewitt 971.23 18653543