File:Saint-Malo, destructions 1944, carte postale, MdeB.jpg

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Description
Français : Saint-Malo en ruines suite au bombardement allié de 1944 , carte postale édition du Greff (Paris), collection du Musée de Bretagne.


Logo Musée de Bretagne
 This object can be found on the documentary portal of the Museum of Brittany and the Bintinais ecomuseum. It is under the identifier FLMjo247470.

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Date circa 1945
date QS:P,+1945-00-00T00:00:00Z/9,P1480,Q5727902
Source

Musée de Bretagne, Collections muséales


Logo Musée de Bretagne
 This object can be found on the documentary portal of the Museum of Brittany and the Bintinais ecomuseum. It is under the identifier FLMjo247470.

brezhoneg ∙ English ∙ français ∙ Tiếng Việt ∙ +/−

Author

Carte postale de Saint-Malo en ruines, la Cathédrale.

Éditions du Greff, Paris
Permission
(Reusing this file)		 Dans Collections muséales

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This image is in the public domain in countries and areas where the copyright term for anonymous or pseudonymous works is 70 years from the year of first publication or less, for example in the European Union.
Please give also an explanation why the work is in the public domain in its source country and in the United States. If this work was published after 1928 and it was not in the public domain in its source country on the URAA date (January 1, 1996 for most countries), use {{Not-PD-US-URAA}} in addition to this template. For files in the public domain in the EU, please use {{PD-anon-70-EU}} (see the documentation).

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Public domain
This work is in the public domain in France for one of the following reasons:
  • Its author (or the last of its authors in the case of a collaboration work) died more than 70 years ago (CPI art. L123-1) and did not benefit from any copyright extension (CPI art. L123-8, L123-9 and L123-10)[1];
  • It is an anonymous or pseudonymous work (the identity of the author has never been disclosed) or a collective work[2] and more than 70 years have passed since its publication (CPI art. L123-3);
  • It is the recording of an audiovisual or musical work already in the public domain, and more than 50 years have passed since the performance or the recording (CPI art. L211-4).
Please note that moral rights still apply when the work is in the public domain. They encompass, among others, the right to the respect of the author's name, quality and work (CPI art. L121-1). Attribution therefore remains mandatory.
  1. ↑ Copyright extensions must be considered only in the case of musical works and of authors Mort pour la France (died during conflict, in the service of France). In other cases, they are included in the 70 years post mortem auctoris length (see this statement of the Cour de Cassation).
  2. ↑ The collective work status is quite restrictive, please make sure that it is actually established.

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current06:57, 24 February 2020Thumbnail for version as of 06:57, 24 February 20202,500 × 1,761 (2 MB)François Malo-Renault (talk | contribs)User created page with UploadWizard

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