File:Saint Guilhem le Désert-Abbaye de Gellone-Autel du Saint Sauveur-20220428.jpg

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Description

Altar of the Saint-Sauveur, known as "Saint Guilhem" (late 12th century): Several years of restoration work were necessary to remove the gypsum and calcite from the white marble inlaid with coloured glass plates, revealing a single-line engraving with Christ in majesty surrounded by a tetramorph and the Crucifixion scene. It was moved to the edge of the transept on the liturgical platform, in front of the Tridentine altar (to meet the requirements of the rite adopted at the time of the Second Vatican Council, a small modern altar was placed at the crossing of the transept). Translated with www.DeepL.com/Translator (free version).

Protection
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Logo monuments historiques
This object is classé Monument Historique in the base Palissy, database of the French furniture patrimony of the French ministry of culture, under the reference IM34001258.
беларуская (тарашкевіца) ∙ brezhoneg ∙ català ∙ Deutsch ∙ English ∙ español ∙ suomi ∙ français ∙ magyar ∙ italiano ∙ 日本語 ∙ македонски ∙ Plattdüütsch ∙ português ∙ русский ∙ українська ∙ +/−
Date Taken on 28 April 2022
Source Own work
Author Daniel VILLAFRUELA
Object location43° 44′ 02.03″ N, 3° 32′ 58.83″ E Kartographer map based on OpenStreetMap.View this and other nearby images on: OpenStreetMapinfo

Licensing

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Daniel VILLAFRUELA, the copyright holder of this work, hereby publishes it under the following license:
w:en:Creative Commons
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This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International license.
Attribution: Daniel VILLAFRUELA
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Date/TimeThumbnailDimensionsUserComment
current14:50, 6 May 2022Thumbnail for version as of 14:50, 6 May 20224,117 × 2,745 (6.08 MB)Daniel VILLAFRUELA (talk | contribs)== {{int:filedesc}} == <!-- Add your traduction at the multilingual descriptor {{mld}} or {{LangSwitch}} used in this page --> {{Information |Description = {{LangSwitch |en= Altar of the Saint-Sauveur, known as "{{w|William of Gellone|Saint Guilhem|en}}" (late 12th century): Several years of restoration work were necessary to remove the gypsum and calcite from the white marble inlaid with coloured glass plates, revealing a single-line engraving of Christ in majesty and the Crucifixion scen...

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