File:Sir Thomas Love, c.1571-1627 RMG BHC3777.jpg

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anonymous: Sir Thomas Love, c.1571-1627  wikidata:Q50883345 reasonator:Q50883345
Artist
image of artwork listed in title parameter on this page
Author
unknown (Netherlandish school?)
Title
Sir Thomas Love, c.1571-1627 Edit this at Wikidata
title QS:P1476,en:"Sir Thomas Love, c.1571-1627 Edit this at Wikidata"
label QS:Len,"Sir Thomas Love, c.1571-1627 Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre portrait Edit this at Wikidata
Description
English: Sir Thomas Love, c.1571-1627

A three-quarter-length portrait slightly to the right. Only part of the sleeves of Love’s dark metallic grey doublet can be seen under his coat, or mandilion. The lace cuffs are turned back and edged with cartwheel lace. The mandilion is of a wine-coloured broadcloth decorated with sprigged silk braiding and gold buttons; his breeches are of the same material and similarly decorated. Love wears a steel gorget over which is a fall down ruff. His hair is cut short and he has a beard and moustache. His left hand is on his hip by his sword hilt; he carries a baton in his right. To the right is a table covered with green cloth on which stands a globe and a pair of dividers. The painting is inscribed ‘Aetatis 49 Anno 1620’ (aged 49 in 1620). Sir Thomas Love was a naval officer who was close to the Duke of Buckingham (George Villiers, 1592–1628) when he was Lord High Admiral, and commanded the ‘Antelope’ when Prince Charles (Charles I) and the Duke visited Madrid in pursuit of a marriage to the Spanish Infanta.The identity of the artist is not known although he is likely to have been one of the portrait painters who had recently arrived in England from the Netherlands, but there is a possibility that it may be a later copy.

Sir Thomas Love, died 1627
Date circa 1620
date QS:P571,+1620-00-00T00:00:00Z/9,P1480,Q5727902
Medium oil on canvas Edit this at Wikidata
Dimensions Painting: 1321 mm x 970 mm; Frame: 1483 x 1132 x 90 mm
institution QS:P195,Q7374509
Accession number
BHC3777
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/15250
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
Acquisition Number: OP1976-11
id number: BHC3777
Collection
InfoField
Oil paintings

Licensing[edit]

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

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This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current23:16, 13 September 2017Thumbnail for version as of 23:16, 13 September 2017937 × 1,280 (1.33 MB) (talk | contribs)Royal Museums Greenwich Oil paintings (1620), http://collections.rmg.co.uk/collections/objects/15250 #69

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