File:Titia and Johannes in Japan - KONB11-5252-BIS1.jpg
Titia_and_Johannes_in_Japan_-_KONB11-5252-BIS1.jpg (750 × 470 pixels, file size: 63 KB, MIME type: image/jpeg)
Captions
Summary[edit]
English: Titia en Johannes in Japan
Nederlands: Titia and Johannes in Japan ( ) |
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Title |
English: Titia en Johannes in Japan
Nederlands: Titia and Johannes in Japan |
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Object type |
painting object_type QS:P31,Q3305213 |
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Description |
Nederlands: In 1817 arriveert in Nagasaki een Nederlands schip met aan boord een bijzonder gezelschap. Jan Cock Blomhoff, het nieuwe opperhoofd van de factorij op Deshima, heeft hoewel dit streng verboden is, zijn vrouw Titia en zoontje Johannes meegebracht. De Nederlanders proberen de Japanse autoriteiten te bewegen om hen te laten blijven, maar Titia en het kind moeten uiteindelijk toch vertrekken. Verschillende Japanse kunstenaars zoals Kawahara Keiga schilderen en tekenen Titia tijdens haar verblijf in Japan. Titia wordt verheven tot de icoon van ‘de Nederlandse vrouw’. Deze afbeelding toont Titia Bergsma (1786-1821), haar zoontje Johannes (1816-1900) en Petronella Munts, de min die de taak heeft Johannes te verzorgen.
English: In 1817, a Dutch vessel carrying a special party arrived in Nagasaki. Though this was strictly forbidden, Jan Cock Blomhoff, the new supreme headman or ‘Opperhoofd’ of the Deshima trading post, had brought along his wife Titia and his small son Johannes. The Dutch tried to persuade the Japanese authorities to let them stay, but Titia and the child, nevertheless, ultimately had to leave. Various Japanese artists, among whom Kawahara Keiga, made paintings and drawings of Titia during her stay in Japan. Titia was elevated to the icon of ‘the Dutch woman’. This picture features Titia Bergsma (1786-1821), her small son Johannes (1816-1900) and Petronella Munts, the nurse who had to care for the child. |
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Collection |
institution QS:P195,Q17339437 |
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Place of creation | Japan | |||||||||||||||||||||||
Source/Photographer |
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Licensing[edit]
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 10:57, 22 July 2022 | 750 × 470 (63 KB) | OlafJanssen (talk | contribs) | 4 more images (details) |
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File usage on Commons
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Metadata
This file contains additional information such as Exif metadata which may have been added by the digital camera, scanner, or software program used to create or digitize it. If the file has been modified from its original state, some details such as the timestamp may not fully reflect those of the original file. The timestamp is only as accurate as the clock in the camera, and it may be completely wrong.
Orientation | Normal |
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Horizontal resolution | 300 dpi |
Vertical resolution | 300 dpi |
Software used | Adobe Photoshop CS3 Windows |
File change date and time | 09:05, 27 May 2009 |
Y and C positioning | Centered |
Exif version | 2.2 |
DateTime subseconds | 645 |
Color space | sRGB |
Image width | 750 px |
Image height | 470 px |
Date and time of digitizing | 11:05, 27 May 2009 |
Date metadata was last modified | 11:05, 27 May 2009 |