German subtitles for clip: File:Basics of photography – how you learn to shoot better photos.webm
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1 00:00:01,000 --> 00:00:03,500 Es ist einfach, bessere Bilder zu machen 2 00:00:04,900 --> 00:00:06,900 Das sind Maria und Paul 3 00:00:07,000 --> 00:00:09,000 Sie freuen sich auf ihren Urlaub 4 00:00:09,300 --> 00:00:12,000 Aber welche Kamera sollen sie mitnehmen? 5 00:00:12,600 --> 00:00:15,900 Maria weiß, daß viele moderne Kameras so gut sind, 6 00:00:16,000 --> 00:00:19,500 daß sie in der Regel gute Fotos mit Automatik machen. 7 00:00:20,000 --> 00:00:23,400 Aber manche Fotos werden nicht gut. 8 00:00:23,600 --> 00:00:25,200 Was kann Maria besser machen? 9 00:00:26,100 --> 00:00:29,100 "Fotografie" bedeutet wörtlich "Malen mit Licht". 10 00:00:29,500 --> 00:00:33,000 Warum? Alles um uns herum reflektiert Licht 11 00:00:33,200 --> 00:00:34,700 in der Umgebung. 12 00:00:34,900 --> 00:00:37,000 A camera lens capture those rays. 13 00:00:37,200 --> 00:00:40,000 That's what form a picture in the camera. 14 00:00:41,000 --> 00:00:44,400 The light, and therefore the photo quality, 15 00:00:44,400 --> 00:00:47,000 is controlled by several determining factors. 16 00:00:47,300 --> 00:00:53,200 The most important one are aperture, exposure time and light sensivity. 17 00:00:54,700 --> 00:00:58,400 Imagine the aperture as a pair of curtains. 18 00:00:58,600 --> 00:01:01,600 It control the amount of light entering the lens 19 00:01:01,600 --> 00:01:02,400 When it's dark, 20 00:01:02,500 --> 00:01:04,800 Mary want to capture as much light as possible. 21 00:01:05,100 --> 00:01:08,000 To do that, she need to open the aperture wider. 22 00:01:09,500 --> 00:01:10,900 If it's very bright, 23 00:01:11,300 --> 00:01:14,600 Mary draw the aperture curtains closer together. 24 00:01:14,800 --> 00:01:18,000 Otherwise her pictures will be overexposed. 25 00:01:19,200 --> 00:01:22,000 The "f" number, or "focal ratio", 26 00:01:22,100 --> 00:01:25,400 specify up to how far the curtains can be opened. 27 00:01:25,700 --> 00:01:28,200 At f2, only halfway. 28 00:01:29,100 --> 00:01:32,800 At f4, only a quarter of the way. 29 00:01:33,400 --> 00:01:35,500 So, the lower the number, 30 00:01:35,500 --> 00:01:38,100 the more light can pass through a particular lens. 31 00:01:38,500 --> 00:01:41,300 But those aperture curtains don't always stay open. 32 00:01:41,600 --> 00:01:43,400 They only open for a spit second. 33 00:01:43,700 --> 00:01:49,000 That lenght of time is called the "exposure time" or "shutter speed". 34 00:01:49,300 --> 00:01:50,900 The longer the exposure time, 35 00:01:51,100 --> 00:01:52,700 the more light enter the photo. 36 00:01:52,900 --> 00:01:57,400 That's fantastic. Mary want to take a photo at twilight for example. 37 00:01:58,300 --> 00:02:00,700 If a car drive to the photo, 38 00:02:01,000 --> 00:02:03,200 it will reflect the light from different positions. 39 00:02:03,500 --> 00:02:05,400 So it just apear blurry in the picture. 40 00:02:06,600 --> 00:02:07,900 The same thing will happen 41 00:02:08,200 --> 00:02:11,000 if Mary move slightly while taking the photo. 41 00:02:11,200 --> 00:02:14,100 That's why, when using long exposure time, 42 00:02:14,400 --> 00:02:18,200 the camera should always be resting on a steady surface. 43 00:02:18,100 --> 00:02:19,900 But when it's bright out, 44 00:02:20,100 --> 00:02:22,400 Mary only need to briefly expose her photos, 45 00:02:22,700 --> 00:02:25,500 so the car come out nice and sharp. 46 00:02:26,000 --> 00:02:28,000 No tripod needed. 47 00:02:28,700 --> 00:02:30,600 Mary still isn't quite satisfied. 48 00:02:31,000 --> 00:02:34,200 Despite using a wide open aperture and a long exposure time, 49 00:02:34,500 --> 00:02:36,900 the result is still too dark. 50 00:02:37,200 --> 00:02:38,600 That's where "light sensivity", 51 00:02:39,000 --> 00:02:40,900 or "ISO", come into play. 52 00:02:41,200 --> 00:02:44,400 It's more or less the photo "skin type", 53 00:02:44,700 --> 00:02:46,400 and determine how sensitively the 54 00:02:46,700 --> 00:02:47,400 camera react to the light. 55 00:02:48,700 --> 00:02:50,900 High sensivity can quickly lead to a sunburn. 56 00:02:51,300 --> 00:02:54,400 Then, the photo as something call "noise". 57 00:02:57,000 --> 00:02:58,700 Mary is overwhelmed. 58 00:02:59,000 --> 00:03:01,000 Fortunately, she doesn't have to do everything manually 60 00:03:01,300 --> 00:03:03,200 to take pretty pictures. 61 00:03:03,500 --> 00:03:06,700 In semi-automatic mode, Mary specify just one value. 62 00:03:07,800 --> 00:03:09,500 The camera figure out the rest. 63 00:03:10,700 --> 00:03:13,800 Even so, the perfect settings for all situations 64 00:03:14,200 --> 00:03:16,000 just doesn't exist. 65 00:03:16,300 --> 00:03:18,900 A good photographer react to prevail light conditions, 66 00:03:19,800 --> 00:03:23,400 use average values, and accept a compromise now and then. 67 00:03:25,000 --> 00:03:28,400 It's almost like a healthy relationship.