User:Lilipond/Klaviernoten/Czerny337-34
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Carl Czerny, Tägliche Übungen Op.337, №34
Komplettscore
[edit]\version "2.19.80"
\language "deutsch"
#(set-global-staff-size 18)
\paper {
myStaffSize = #18
% define music font in addition to global font
#(define fonts
(set-global-fonts
#:music "ross"
#:brace "gonville"
#:roman "Minion Pro"
#:factor (/ staff-height pt 20)
))
#(add-music-fonts fonts 'emm "emmentaler" "emmentaler"
feta-design-size-mapping (/ staff-height pt 20))
}
\layout {
\context {
\Staff
\override StaffSymbol.thickness = #0.6 %Standardwert = 1
\override DynamicLineSpanner.staff-padding = #3
beamExceptions = #'()
\override BreathingSign.text =
\markup { \musicglyph #"scripts.lvarcomma" }
\consists "Mark_engraver"
\consists "Staff_collecting_engraver"
\override RehearsalMark.self-alignment-X = #LEFT
%\override RehearsalMark.outside-staff-priority = #'()
\override SustainPedal.font-family = #'emm
}
\context {
\Staff
\name BarNumberStaff
%% Staff with Bar Numbers
\alias Staff
\consists "Bar_number_engraver"
\override BarNumber.break-visibility =#end-of-line-invisible
\override BarNumber.color = #grey
\override BarNumber.layer = #-200
%\override BarNumber.break-visibility =#begin-of-line-visible %#end-of-line-invisible
\override BarNumber.outside-staff-priority =#'()
\override BarNumber.padding = #1
\override BarNumber.font-size = #1
\override BarNumber.self-alignment-X = #0
%\override StaffSymbol.thickness = #0.5 %0.3=optimaler wert
\override DynamicLineSpanner.staff-padding = #3
}
\context {
\PianoStaff
\accepts BarNumberStaff
}
\context {
\Dynamics
\override DynamicText.whiteout = ##t
}
\context {
\Score
\accepts BarNumberStaff
\remove "Bar_number_engraver"
\remove "Mark_engraver"
\remove "Staff_collecting_engraver"
\override FootnoteItem.annotation-line = ##f
\override Timing.beamExceptions = #'()
\override BarLine.thick-thickness = 5
%4.5 %% dass die Barlines nicht zu fett werden
\override MetronomeMark.font-size = #1
%\override MetronomeMark.font-series = #'bold
\override MetronomeMark.font-shape = #'caps
\override BreakAlignment.break-align-orders =
##((left-edge ambitus breathing-sign clef staff-bar
key-cancellation key-signature time-signature custos)
(left-edge ambitus breathing-sign clef key-cancellation
staff-bar key-signature time-signature custos)
(left-edge ambitus breathing-sign clef key-cancellation
key-signature staff-bar time-signature custos))
}
}
myTitel = "Tägliche Übungen Op.337"
Struktur =
{
\override Score.NonMusicalPaperColumn.page-break-permission = ##f
\override Score.NonMusicalPaperColumn.line-break-permission = ##f
\repeat unfold 4 { s2. * 3 \break }
%s \pageBreak
\repeat unfold 3 { s2. * 3 \break }
}
cofu = \markup { \normal-text \italic "cresc. poco a poco" }
sfcf = #(make-dynamic-script cofu)
Dyn= {
\override DynamicText.self-alignment-X = #-1
s1\p
s8 s8\cresc s4 s4 s8\f s8
s2\f s4 s4\sf
s4\p s4\sfcf s4
s2 s2\f
s4 |
s1\f s1
s1\f
}
#(define (my-tuplet-number::calc-denominator-text grob)
(let (;; let 'direction evaluate to use the generic tie-markup-command
(dir (ly:grob-property grob 'direction)))
(make-tie-markup
(string-append " " (tuplet-number::calc-denominator-text grob) " "))))
tupletFormats = {
\override TupletNumber.font-size = #0
\override TupletNumber.font-shape = #'italic
\override TupletBracket.padding = #1.5
\override TupletNumber.text = #my-tuplet-number::calc-denominator-text
}
myottava =
#(define-music-function (o) (integer?)
(let ((text (case o
((0) #f)
((1 -1) "8")
((2 -2) "15"))))
#{
\ottava #o
\set Staff.ottavation = #text
#}))
RH= \relative c'' {
\time 4/4
\key b \major
\tempo "Allegro" 4=88
\set Timing.beamExceptions = #'()
\set Timing.baseMoment = #(ly:make-moment 1/8)
\set Timing.beatStructure = #'(2 2 2 2 ) %% abhängig vom Takt
\voiceOne
%\mark \markup \italic "legato"
g8..*20/21-5^\markup \italic "legato" ( a32*4/3-5
%\doppelpunktzusextole g a
b8-5 a-5 g8..*20/21-5 a32*4/3-5 b8-5 a-5 ) (
\set Voice.beatStructure = #'(4 4 )
g-5 a-5 b-5 h-5 c-5 cis-4 d-5 fis,!-4 )
\bar ":..:"
g-5 ( d'-5 c!-4 fis-5 g-5 d'-5 c-5 ) r
\bar ":..:"
b,-5 ( d-4 es-5 g-4 a-5 c-5 d-4 f-5
\myottava #1
g-4 b-5 c!-5 es-5 d-5 r
\ottava #0
d, r )
\bar ":..:"
\once \override Beam.positions = #'(6.5 . 6)
g,-5 ( a-5 g-5 f!-5
\once \override Beam.positions = #'(5.5 . 5)
es-5 f!-5 es-5 d-5
c-5 b!-5 a!-5 g-5 fis-4 a-5 d-5 fis-5 )
\bar ":..:"
\oneVoice
{
< b,-2 g'-5>16[ r < a d-3>] r
< g g' >[ r < a d >] r
< g g' >[ r q] r < d' d' >[ r < c fis-3 >] r
}
\bar ":..:"
\voiceOne
d8-3-5 r g-3-5 r b-5 r d-3-5 r
\set Voice.beatStructure = #'(2 2 2 2 )
es-5 ( c-4 ) c-5 ( a-4 ) a-5 ( fis!-4 )
\oneVoice
\override Fingering.avoid-slur = #'inside
\override TupletNumber.text =
\markup { \undertie " 6 " }
\tuplet 6/4 {
< d c' >16 ( a'-3 fis d-1 c-4 a-2
}
\mark "Coda"
b!8-. ) < d, g b >-. r
< c d fis a >-. r < b d g >-. r4
\bar "|."
}
RHii= \relative c' {
\voiceTwo
\override TupletNumber.direction = #UP
\set Staff.extraNatural = ##f
#(set-accidental-style 'default)
%\override TupletNumber.text = \markup { \undertie " 6 " }
\tupletUp
\tupletFormats
\once \override TupletNumber.extra-offset = #'(0 . -4)
\tuplet 6/4 {
b16-2 c-1 cis-2 d-1 e-2 fis-3
}
\hide TupletNumber
\omit TupletBracket
\tuplet 6/4 {
g-4 f-3 es-2 d-1 cis-2 c-1
b-2 c cis d e fis-3 g-4 f es d-1 cis-2 c
b-2 c-1 d-2 es-3 f-1 es-2 d-1 es-2 f-1 g-3 as-4 f-2
e-1 f-2 g-1 a-2 b-3 g-1 fis-2 a-3 d,-1 es-3 d-2 c!-1
}
\tuplet 6/4 {
b-2 cis-3 d-1 fis-2 a-3 g-2 eis-1 fis-2 a-1 h-2 d-3 c-1
b-2 cis-3 d-1 fis-2 a-3 g-1 fis d-1 es-3 c-2 a-1 fis-4
}
\tuplet 6/4 {
g-3 fis g-1 b-2 a b c-3 h c-1 es-2 d es
f!-3 e f-1 a-3 gis a-1 b!-2 a b d-3 cis d-1
es-2 d es g-3 fis g-1 a-3 gis a-1 c-1 h c-4
fis,!-2 d-1 c-4 a fis d-1 b'-3 g d-1 b-3 g d-1
}
\pageBreak
\tuplet 6/4 {
\once \override Beam.positions = #'(-4 . -4)
b'-2 a b c-1 d-3 c-2
\once \override Beam.positions = #'(-4 . -4.5)
b-1 c-3 b-2 as-1 b-3 as-2
\once \override Beam.positions = #'(-4.5 . -4.5)
g-1 fis g-1 as!-2 b as
\once \override Beam.positions = #'(-4.5 . -5)
g-1 as-3 g-2 f-1 g-2 f-3
\once \override Beam.positions = #'(-5 . -5.5)
es-1 f-3 es-2 d-1 es-2 d-1 c-2 h-1 c-2 cis-3 his-1 cis-2
d-1 cis-2 d-1 fis-3 eis-1 fis-2
\once \override Beam.positions = #'(-4.5 . -3.5)
a-3 gis a-1 c!-2 d-3 c-1
}
s1
\set Voice.beatStructure = #'(1 1 1 1 1 1 1 1 )
\override Fingering.avoid-slur = #'inside
\tupletSpan 4
\tuplet 3/2 { b16 a-1 as-2 } g8
\tuplet 3/2 { d'16 cis c } b8-2
\tuplet 3/2 { g'16 f!-1 es-2 } d8
\tuplet 3/2 { b'16 a-1 as-2 } g8
\override Slur.stencil = #'()
\tuplet 3/2 { fis16 eis fis } r8
\tuplet 3/2 { es16 d es } r8
\tuplet 3/2 { c16 h c } r8
}
LH = \relative c' {
\clef bass
\key b \major
\stemDown
\repeat unfold 2 {
< g g, >16[-. r r16.*8/9 d32*4/3 ]-.
g16[-. r < d fis>]-. r
}
< g g, >16[ r < f! f,! >] r
< b b, >[ r < g g, >] r < c c, >[ r < a a, >] r
\stemUp
d,16[-2 r < d d, >] r
\stemNeutral
< g g, >16[ r < b b, >] r
< a a, >[r < d, d, >] r
< g g, >[ r < b b, >] r
< d, a' c >4--
< g-4 b d >16 r r8 < c, g' c >16 r r8
< f a c >16 r r8 < b, f' b >16 r16 r8
< es g b >16 r r8 < a, c es a >16 r r8
< d, fis a d >16 r16 r8 < g b d g >16 r16 r8
\set fingeringOrientations = #'(left)
\override Fingering.direction = #DOWN
< g' d' >16[-1-3 r < fis d' >] r
< g d' >16[ r < d b'-1 >] r
< es b' >16[ r < d b' >] r < es b' >16[ r < h g'-1 >] r
< c g' >16[ r < d g >] r < es g >16[ r < e g >]-2-4 r
< d a' >2_\sf
\voiceOne
\tupletSpan 4
\tuplet 6/4 {
b'16-3 a b c d c b a b c d c
b a b c-2 d c-1
b-3 c-1 b-2 a b a-1
}
s8 \clef treble
\revert Beam.positions
\set Voice.beatStructure = #'(1 1 1 1 1 1 1 1 )
\override Fingering.avoid-slur = #'around
\once \override Beam.positions = #'(1 . 1.5)
\tuplet 3/2 { b16-3 ( c-1 cis-2 } d8-1 )
\tuplet 3/2 { d16-3 e-1 fis-2 } g8-1
\tuplet 3/2 { g16-3 gis a } b8-2
\tuplet 3/2 { b16-3 c! d } c8-2
\tuplet 3/2 { es!16-1 d-2 es-1 } a,8-4
\tuplet 3/2 { c16-1 h c } fis,!8-4
\tuplet 3/2 { a16-1 gis a } fis8-3
\oneVoice
r8
\clef bass
\bar ":|."
< g, g, >8-. r < d d, >-. r < g, g, >-. r r4
}
LHii = \relative c' {
s1 * 7
\voiceTwo
\set Voice.beatStructure = #'(4 4 )
g8-5(-\markup \italic \fontsize #1.5 "legato"
\override Fingering.avoid-slur = #'inside
fis-5 g-5 fis g es-5 d4-5 )-\sf
< g g, >8\noBeam g-5 r b-5 r d-5 r g-5 a-4
r fis-5 r es-5 r d-5
}
\bookpart {
\paper {
print-all-headers = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
last-bottom-spacing.padding = #15
top-margin = 20\mm
ragged-right = ##f
ragged-last = ##f
ragged-bottom = ##f
ragged-last-bottom = ##f
bottom-margin = 10\mm
indent = 10\mm
line-width = 170\mm
print-all-headers = ##f
print-first-page-number = ##f
#(include-special-characters)
footnote-separator-markup = \markup \null
}
\header {
title = \myTitel
subtitle = \markup \fontsize #2 { "№ 34" }
subsubtitle = \markup \fontsize #2 { "Jede Repetition" \fontsize #-3 \number 16 "mal" }
poet = ##f
composer = "Carl Czerny (1791-1857)"
piece = ##f
opus = ##f
}
\score
{
\new PianoStaff="leadsheet" \with {
instrumentName = ""
shortInstrumentName = ""
}
<<
\new BarNumberStaff="up"
<<
\new Voice \RH
\new Voice \RHii
>>
\new Dynamics \Dyn
\new Staff="down"
<<
\new Voice \LH
\new Voice \LHii
>>
>>
}
}
Unterseiten
[edit]Unterseiten von User:Lilipond/Klaviernoten/Czerny337-34
WikiText der Seite User:Lilipond/Klaviernoten/Czerny337-34
{{User:Wirklich/notitle|Carl Czerny, Tägliche Übungen Op.337, №34}}
{{User:Wirklich/bearbeiten}} <div style="margin-top:1em> </div> {{User:Wirklich/Bildausschnitt|bild=Czerny Op337 Nr34.svg}} == Komplettscore == <includeonly><onlyinclude>{{User:Lilipond/Klaviernoten/layout}} {{User:Lilipond/Klaviernoten/Czerny337-34/variable}} {{User:Lilipond/Klaviernoten/Czerny337-34/RH}} {{User:Lilipond/Klaviernoten/Czerny337-34/LH}} {{User:Lilipond/Klaviernoten/Czerny337-34/bookpart}}</onlyinclude></includeonly> {{User:Wirklich/coco|code={{:{{FULLPAGENAME}}}}}} == Unterseiten == {{User:Wirklich/ShowSub|nouse=1}} {{User:Wirklich/ShowMe}} [[Category:LilyPond_SourceCode]]