Year
|
Title
|
Image
|
Collection
|
Comments
|
1822 |
Portrait of Madame Marguerite-Julie Morel, oil on canvas |
|
Musée des Beaux-Arts d'Angers, France |
|
1823 |
Lumberjack from the Tivoli surroundings, oil on canvas |
|
Musée des Beaux-Arts d'Angers, France |
|
1824 |
Dying brigand |
|
|
|
1825 |
The proposal; costumes of Albano near Rome |
|
Musée des Beaux-Arts d'Angers, France |
|
1825 |
Study of legs |
|
Musée des Beaux-Arts d'Angers, France |
|
1826 |
Frascati peasant woman in the confessional |
|
Musée des Beaux-Arts d'Angers, France |
|
1826 |
Théodore Jubin, oil on canvas |
|
Clark Art Institute, Williamstown, Mass, United States |
|
1826 |
The good samaritan |
|
|
|
1826 |
A pilgrim, oil on canvas |
|
|
|
1827 |
Portrait of Nicolas-Didier Boguet, oil on canvas |
|
Musée des Beaux-Arts d'Angers, France |
Subject: Nicolas-Didier Boguet, French painter (1755-1839)
|
1828 |
Portrait of Casimir Lecomte in front of the Stromboli |
|
Private |
Subject: Casimir Leconte (1796-1867), french buisnessman
|
1828 |
Portrait of a couple in a garden |
|
Private |
|
1829 |
Head of a Neapolitan man |
|
|
|
1829 |
Portrait of Carmine Scognamille |
|
|
|
1831 |
Marriage contract in Italy |
|
Louvre Museum, Paris, France |
|
1833 |
Italian shepherd's head |
|
|
|
1833 |
Portrait of a Neapolitan woman. Young Roman woman |
|
|
|
circa 1833 date QS:P,+1833-00-00T00:00:00Z/9,P1480,Q5727902 |
Study for the head of Pacini 1 |
|
|
|
1833 |
Study for the head of Pacini 2 |
|
|
|
1834 |
Kneeling woman |
|
|
|
circa 1834 date QS:P,+1834-00-00T00:00:00Z/9,P1480,Q5727902 |
Lute player |
|
|
|
1834 |
Lute players |
|
|
|
1835 |
Young Neapolitan women |
|
|
|
1838 |
Study for the portrait of Anna Angélique Lemotheux |
|
|
|
1839 |
Italian peasant woman with a crook |
|
|
|
1839 |
Man in dressing gown sitting sideways |
|
|
|
1839 |
Old woman sitting |
|
|
|
1840 |
Peasant women at rest |
|
|
|
1842 |
Study of a woman's head |
|
|
|
1842 |
Study of the hairstyle of an Italian woman |
|
|
|
1842 |
Young woman with a tambourine serving wine |
|
Musée des Beaux-Arts d'Angers, France |
|
1846 |
Two peasants and a young woman in Italian folk costume |
|
Private |
|
1852 |
Country landscape of Italy |
|
|
|
1857 |
The pay of the harvesters |
|
|
|
1857 |
Girl at the fountain, route from Rome to Naples |
|
|
|
|
Pierre Honoré Bérard (1797-1858) |
|
|
|
|
The bagpipe player |
|
Metropolitan Museum of Art, Manhattan, New York City, United States of America |
|
|
A melanchony ballad |
|
|
|
|
Guitar and mandolin players |
|
|
|
|
Portrait of Jeanne Virginie Morel, future Baroness Duverger |
|
|
|
|
Route from Rome to Naples, Rest of pilgrims and women coming to draw water |
|
|
|
|
Shepherd playing the bagpipe |
|
|
|
|
Shepherd's head 1 |
|
|
|
|
Shepherd's head 2 |
|
|
|
|
Study of a woman seen from the back |
|
|
|
|
The revenge of a brigand |
|
|
|
|
The tambourine player |
|
Private |
|
|
Two heads of old women, mother and daughter |
|
|
|
|
Vesuvius seen from the forum of Pompeii |
|
|
|
|
View of Subiaco |
|
|
|
|
Wife of Velletri |
|
|
|
|
Women at the fountain, listening to an old woman |
|
|
|
|
Stop of the Italian brigands |
|
Private |
|
|
Landscape of Lazio in Italy |
|
Private |
|