File:A new history of painting in Italy, from the II to the XVI century; (1908) (14784550783).jpg

Identifier: newhistoryofpain03crowuoft (find matches)
Title: A new history of painting in Italy, from the II to the XVI century;
Year: 1908 (1900s)
Authors: Crow, Joseph Archer, Sir, 1825-1896 Cavalcaselle, G. B. (Giovanni Battista), 1820-1897
Subjects: Painting -- Italy History
Publisher: London, Dent
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: MSN

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Text Appearing Before Image:
Granacci. THE STORY OF JOSEPH Ufiizi, Florence.
Text Appearing After Image:
MADONNA DELLE ARPIE Andrea del Sarto. A nderson.Uffizi. Florence. RIDOLFO GHIRLANDAIO 481. We believe that Granacci surrendered himself to scene-paintingchiefly when he joined the ateher of Ridolfo Ghirlandaio, after his returnfrom Rome and his quarrel with Michael Angelo. As Ridolfos partnerprobably he assisted in valuing Mariottos Annunciation in 1510 ; ^ andin the same subordinate position he painted standards, theatricalhangings, and one of the triumphal arches at Florence, in 1516, atthe solemn entrance of Leo X.^ He also furnished cartoons for glass tothe brotherhood of the Gesuati.^ But he lived for many years afterthat, making a wiH in 1533,* and cUed in 1543,^ \Wthout our being ableto ascertain whether he was entrusted in the interval Mith any great orindependent commissions.^ p. 414. The Virgin looks down from a glory of flaming rays. At the side of hertomb kneel SS. Thomas and Francis, at whose flanks stand S. Paul and another.We can see, in this picture, nothing of the Fra

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