File:Anthony's photographic bulletin for (1896) (14779653954).jpg

Identifier: anthonysphotogr1896newy (find matches)
Title: Anthony's photographic bulletin for ..
Year: 1870 (1870s)
Authors:
Subjects: Photography
Publisher: New York : E. & H.T. Anthony & Co.
Contributing Library: University of Illinois Urbana-Champaign
Digitizing Sponsor: University of Illinois Urbana-Champaign

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Text Appearing Before Image:
r for review. Photo-graphs, designs, half-tones and anymatters of general interest are welcome. Tin, advertising columns of the BUL-LETIN may be used without charge bythose desiring to obtain employment. \\i acknowledge the receipt of theHansel Zasskiy a Japanese monthly having as its object the propagation ofBuddhism. The frontispiece is a page ofhalf-tones photo-engraved and pi inted byK. Ogawa. The engraving and printingwould he a credit to any establishment. Tin X Rays, by Arthur Thornton, M.A., is the idle of a new hook publishedby Percy Lund & Co. The subjeel is I in an elemental v manner, yet all informal ion is imparled. It is a book lor the average man who is not ported on elect ricitj ami ph.5 pici g< rieially. Aiiei a pei usaJ oi this work, we can111 ommend n to all siudents oi 1 adiography. Tin Inland Prini er, with Iti attrai• 1 ■. ei i a conspicuoui object on thetandi A .1 ample oi Americani Hi it adi ■ houi-i receiveHi. atte n tion oi ou 1 fore ign reader 1
Text Appearing After Image:
9 ■■g Co. ANTHONYS Photographic Bulletin EDITORS t Prof. CHARLES F. CHANDLER, Ph.D., LL.D.FREDERICK J. HARRISON. Vol. XXVII. OCTOBER, 1896. No. 10. OUTDOOR PROFESSIONAL PHOTOGRAPHY. THE studio photographer has but little idea of the enormous quantityof photographic work done by his brother of the camera whoconfines himself to outside work, architectural, theatrical, illustrative,etc. Yet here is a field greater than that offered by gallery work, forthe camera is called into requisition in every art, science and business.Much of this class of work might have been under the control of thestudio photographer, but, with characteristic indifference, he has let itslip, little by little, until there is now every prospect that theatricalwork, once his entirely, will be taken from him by the outdoor man.The gallery photographer, confined by his four walls, is apt to becomecramped in his ideas, to settle down to a somnolent existence, waitingfor patrons to come in, and availing himself of n

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