File:Antonio Allegri da Correggio, his life, his friends, and his time (1896) (14581780718).jpg

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Identifier: antonioallegrida00ricc (find matches)
Title: Antonio Allegri da Correggio, his life, his friends, and his time
Year: 1896 (1890s)
Authors: Ricci, Corrado, 1858-1934
Subjects: Correggio, 1489?-1534
Publisher: New York : C. Scribner's Sons
Contributing Library: Harold B. Lee Library
Digitizing Sponsor: Brigham Young University

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o the Casa Scutellari.3 Vite, iv. p. 114. 3 Fra Giovanni Francesco Malazappi da Carpi, Croniche della provincia di Bolognadei Frati Minori Osservanti co7tiposte nel 1580. MS. in the archives of the province ofBologna, fol. 170. Baistrocchi, Notizie dei pittori, MS. no. n06, in the Miscellanea, inthe Royal Library of Parma. Ruta, Guida, p. 19. 4 MS. Minutes of the Academy, iii. p. 131. 5 La Madonna Annunciata, papers in the archives of the picture gallery of Parma.A. Rondani wrote of this work in the French journal LArt, vi. p. 73 (Paris, 1876), andin the Gazzetta dVtalia, no. 84 (Venice, 1876). 248 ANTONIO DA CORREGGIO from the open book on the desk before her, she listens, with chaste,downcast eyes.1 (See headpiece to contents, p. xi.) We may now pass on to Correggios greatest work. Down to the last years of the fifteenth century the interior of ParmaCathedral was characterised by all the bare austerity usual in Roman-esque churches. There were, of course, pictures and triptychs over
Text Appearing After Image:
PARMA CATHEDRAL. the altars ; a few frescoes, the offerings of certain devout persons,adorned the walls of some of the chapels. The greater partof the transept was decorated; 2 but the vast main building, that is tosay, the vaults of the three aisles, the walls of the nave, the cupola, 1 A Correggesque drawing in sanguine in the Louvre, squared out for enlargingseems to represent an Annunciation. It does not, however, correspond with the lunettedescribed, which agrees more closely with a drawing in the Ambrosiana at Milan, ascribedto Correggio, but more probably by some pupil or imitator (see page 270). 2 In the deed of 1522, assigning the decoration of a certain part of the transept toParmigianino and Anselmi, the following words occur: Removendo Mas picturas quae suntde praesenti, or de praesenti existentes. PARMA CATHEDRAL 249 and the presbytery were all subdued and colourless, displaying thearchitectural lines in severe simplicity.

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  • bookid:antonioallegrida00ricc
  • bookyear:1896
  • bookdecade:1890
  • bookcentury:1800
  • bookauthor:Ricci__Corrado__1858_1934
  • booksubject:Correggio__1489__1534
  • bookpublisher:New_York___C__Scribner_s_Sons
  • bookcontributor:Harold_B__Lee_Library
  • booksponsor:Brigham_Young_University
  • bookleafnumber:356
  • bookcollection:americana
Flickr posted date
InfoField
28 July 2014


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