File:Art and artists of our time (1888) (14597695290).jpg

Identifier: artartistsofourt06cook (find matches)
Title: Art and artists of our time
Year: 1888 (1880s)
Authors: Cook, Clarence, 1828-1900
Subjects: Painting Painters
Publisher: New York, S. Hess
Contributing Library: Brandeis University Libraries
Digitizing Sponsor: Boston Library Consortium Member Libraries

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
JSTorthern States and that of England. The RudeImperious Surge, on page 291, is an excellent example of his skill in this direction. Another excellent marine painter of a sturdier tyjpe than Richards is M. F. H. De Haas,a native of Holland, born at Rotterdam in 1832, who settled in America in 1859 and has sincemade it his home. His picture The English Channel (p. 293), which by his permissionwe copy from the original canvas, is a good example of his spirited and faithful transcriptsfrom nature. Arthur Quaetley, born in Paris in 1839, of American parents, we believe, but whoseprofessional life was passed in this country, in Baltimore and in New York, is highlyesteemed as a marine-painter, and Rehn, a later comer, has made himself an excellent reputa-tion by his coast-scenes. ART AND ARTISTS OF OUR TIME. 295 James Hart, the painter of Rain is Over, with his elder brotlier, William Haet,natives of Scotland, but brought to this country when children, have long enjoyed popular ^:?>*H^^
Text Appearing After Image:
RAIN IS OVER. FROM THE PAINTING BY JAMES M. HART. BY PERMISSION OF THE AMERICAN ART ASSOCIATION. favor as cattle-jjainters, and among the later comers Carletox Wiggins and WilliamHowe have greatly distinguished themselves in the same field. TTI 296 ART AND ARTISTS OF OUR TIME. Frank Meyer Boggs must not be forgotten in calling the roll of our marine-painters,since he is one of the most individual of the younger men in the field, and the most varied inhis subjects. Although, as we read in the catalogues, Mr. Boggs vs^as a pupil of Gerome, thefirst pictures sent by him to this country show^ed no traces of that masters style, but on the

Note About Images