File:Basara 12 Heavenly Generals ShinYakushiji.JPG
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DescriptionBasara 12 Heavenly Generals ShinYakushiji.JPG |
English: Face of the statue of Bazara, one of the Tweleve Heavenly Guardians. Clay, total height 163 cm, 8th century, Nata Period, Shin-Yakushi-ji, Nara, Japan |
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Date | |||||||
Source |
日本語: 上代の彫刻,朝日新聞社 English: Jyodai no Tyoukoku (Ancient Japan Scultpures), Asahi-Shinbun, Osaka, Japan |
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Author |
日本語: 小川晴暘(1894-1960) 仏像写真家 飛鳥園創業者) English: Ogawa Seiyou (1894-1960), a famous photographer in Japan |
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 12:07, 9 April 2010 | 807 × 1,049 (237 KB) | ReijiYamashina (talk | contribs) | {{Information |Description={{en|1=Face of Bazara: One of Tweleve Heavenly Guardians Statues. Clay, Total 163 cm height, 8th century, Nata Period, Shin_Yakushiji, Nara, Japan}} |Source=JYODAI NO TYOUKOKU (ANCIENT JAPAN SCULTPURES), ASAHI-SHINBUN Co., 1942 |
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Metadata
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Camera manufacturer | Panasonic |
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Camera model | DMC-FZ2 |
Exposure time | 1/30 sec (0.033333333333333) |
F-number | f/2.8 |
ISO speed rating | 200 |
Date and time of data generation | 15:40, 28 November 2009 |
Lens focal length | 4.6 mm |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Ver1.00 |
File change date and time | 15:40, 28 November 2009 |
Y and C positioning | Co-sited |
Exposure Program | Normal program |
Exif version | 2.2 |
Date and time of digitizing | 15:40, 28 November 2009 |
Image compression mode | 4 |
APEX shutter speed | 4.907 |
APEX aperture | 3 |
APEX exposure bias | 0.33 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Color space | sRGB |
Sensing method | One-chip color area sensor |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 35 mm |
Scene capture type | Standard |
Contrast | Hard |
Saturation | High saturation |
Sharpness | Hard |
Subject distance range | Macro |