File:Charles Marville, La Bièvre, ca. 1865.jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(3,968 × 3,008 pixels, file size: 2.03 MB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Charles Marville: La Bièvre   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Charles Marville  (1813–1879)  wikidata:Q329387
 
Charles Marville
Alternative names
Charles François Bossu
Description French architectural photographer, portrait photographer, printmaker and photographer
Date of birth/death 17 July 1813 Edit this at Wikidata 1 June 1879 Edit this at Wikidata
Location of birth/death Paris 14th arrondissement of Paris
Work location
Authority file
artist QS:P170,Q329387
Title
La Bièvre
Description
English: As the official "photographer of the city of Paris," Charles Marville was charged with documenting the massive transformation of the city brought about by Napoleon III and his city planner, Baron Haussmann. In the early 1850s the Emperor proposed a network of grand boulevards that would plow through the narrow winding streets and overcrowded slums of Paris. Marville methodically recorded the streets and buildings slated for demolition, preserving an image for future generations.

Although we may now look back at pictures like this one with nostalgia for a lost Paris, to Marville and his audience such scenes evoked a less bucolic reality-the Bièvre was essentially a waste system for twenty-four tanneries, twenty-one leather factories, nine starch and three dye manufacturers, a paper mill, two cotton and two flour mills, four laundries, a soap and candle factory, and assorted other industries. Shortly after Marville made this photograph, the Bièvre was simply covered over and tied into the Paris sewer system.

One motivation for Napoleon III's urban plan was to ease military movement and make it more difficult for revolutionaries to barricade narrow streets and control sections of Paris, but many of his efforts were genuinely geared toward transforming Paris into a safer, healthier, more modern city.
Date circa 1865
date QS:P571,+1865-00-00T00:00:00Z/9,P1480,Q5727902
Medium Albumen silver print from glass negative
Dimensions height: 27.8 cm (10.9 in); width: 37.6 cm (14.8 in)
dimensions QS:P2048,27.8U174728
dimensions QS:P2049,37.6U174728
institution QS:P195,Q160236
Accession number
1988.1071
Credit line Purchase, The Horace W. Goldsmith Foundation Gift, through Joyce and Robert Menschel, 1988
Source/Photographer

Metropolitan Museum of Art: entry 265932

Licensing

[edit]
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current01:10, 2 December 2013Thumbnail for version as of 01:10, 2 December 20133,968 × 3,008 (2.03 MB)Paris 16 (talk | contribs)

The following page uses this file:

File usage on other wikis

The following other wikis use this file: