File:ClevlandArms HeraldicBrass 1913 QueenAnne'sWalk Barnstaple.jpg

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Description
English: 1913 heraldic monumental brass with enamelled arms and crest of Clevland: Azure, a hare salient or collared gules pendent therefrom a bugle horn stringed sable, motto: none shown. Crest: A dexter cubit arm proper sleeved azure cuffed argent holding in the hand a dagger gules point to dexter. Others in the group stamped at top "PARTRIDGE 1913".

Maker

Made 1n 1913 by w:May Hart Partridge (born c.1881 in Harborne, Staffordshire - died 1917), an art enameller who studied at the w:Birmingham School of Art.[1] She was "the most notorious pupil of w:Arthur Gaskin".[2] Her works are mainly in the w:Arts and Crafts style. She later worked at w:London County Council schools and at home.[3][4][5] She was the wife of w:Frederick James Partridge (c.1877-1946) (known as "Fred Partridge", works signed "FJP"), born in Barnstaple, an English jeweller, silversmith and teacher of jewellery making, active circa 1901-1930.[4] His works are in the w:Art Nouveau style. He has been called the "British w:René Lalique".[6]

Background

Chart showing familial or marriage relationships between nine of the persons (highlighted in yellow) represented by their armorials sculpted in stone on the parapet of Queen Anne's Walk

Queen Anne's Walk (formerly The Mercantile Exchange) is a grade I listed building in the town of Barnstaple, North Devon, completed in 1713 as a meeting place for the town's merchants. It was promoted and financed by the thirteen members of the Corporation of Barnstaple whose armorials are sculpted in stone on and above the parapet, and the work was overseen by Robert Incledon (1676-1758), Mayor of Barnstaple in 1712-13. The armorial bearings on the structure are illustrated and described in Blaylock's 1985 survey. As the contemporary brass tablet affixed to the east parapet suggests, they represent the members of the Corporation of Barnstaple, viri ipsi ornatissimi & honorabiles, "men themselves honourable and most illustrious", who financed the building work. Nine of them are members of a tightly-knit group closely related by blood or marriage, namely: Acland, Hooper, Basset, Davie, Clevland, Chichester, both Incledons and Lethbridge (see pedigree chart illustration). The arms shown on the entablature were repeated on twelve 1913 small escutcheons and crests in coloured enamels on small decorative brass plates, made by May Hart Partridge (c.1881-1917). These are now displayed in individual glazed wooden frames affixed to the walls of the staircase of the Barnstaple Guildhall, six on each side.

Person represented

Arms of William Clevland (1664-1734) of Tapeley Park, Westleigh, near Bideford, another son-in-law of John Davie. He was a Scottish-born Royal Navy commander who served as Controller of Storekeepers' Accounts (1718-1732).[7] In 1702, having sailed into the North Devon port of Bideford, then one of the leading tobacco importation ports of Great Britain, he is said to have viewed from his ship the ancient mansion of Tapeley, in the parish of Westleigh, situated on an eminence overlooking the estuary of the River Torridge, and to have been so impressed by the beauty of its position that in 1704 he purchased the estate from the Giffard family of Brightley, which thenceforth he made his residence.[8] His son purchased the lordship of the manor of Bideford,[9] which thenceforward descended with the Tapeley estate, which is still owned and occupied by his descendants (via two female lines) the Christie family, also of Glyndebourne House, East Sussex.
Date Brass 1913, photo 2019
Source Self-photographed
Author May Hart Partridge (c.1881-1917)

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  1. https://www.wmgallery.org.uk/collection/themes/arts-and-crafts/object/enamel-plaque-l24b-c-1904
  2. For career of Mary Hart Partridge see: Toni Lesser Wolf, Women Jewelers of the British Arts and Crafts Movement, Journal of Decorative and Propaganda Arts, Vol. 14 (Autumn, 1989), pp. 28-45
  3. Occupation given in Census Returns of England and Wales, 1911 'Artist & Art Jeweller' working on own account, his wife May is an 'Art enameller' working at 'LCC and other Schools', also working at home
  4. a b Mapping the Practice and Profession of Sculpture in Britain and Ireland 1851-1951, University of Glasgow History of Art and HATII, online database 2011, Frederick James Partridge
  5. For career of Mary Hart Partridge see: Toni Lesser Wolf, Women Jewelers of the British Arts and Crafts Movement, Journal of Decorative and Propaganda Arts, Vol. 14 (Autumn, 1989), pp. 28-45
  6. https://www.tademagallery.com/jewellery/d/art-nouveau-buckle/206285
  7. (National Archives: C 66/3525). Patent revoked 24 May 1732 (National Archives: C 66/3586). Per Collinge, J.M., Office-Holders in Modern Britain: Volume 7: Navy Board Officials 1660–1832, published 1978 [1]
  8. Lauder, Rosemary, Devon Families, Tiverton, 2002, p.41
  9. Lysons, 1822

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