File:Close (elevated) view of figural grouping, looking to west northwest face of the memorial - United States Marine Corps War Memorial, Marshall Drive, Arlington, Arlington County, VA HALS VA-9-7.tif

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Close (elevated) view of figural grouping, looking to west northwest face of the memorial - United States Marine Corps War Memorial, Marshall Drive, Arlington, Arlington County, VA
Photographer
Boucher, Jack E.
Title
Close (elevated) view of figural grouping, looking to west northwest face of the memorial - United States Marine Corps War Memorial, Marshall Drive, Arlington, Arlington County, VA
Description
de Weldon, Felix G; Rosenthal, Joseph; Peets, Elbert; Peaslee, Horace G; Stevenson, Markley; Marine Corps War Memorial Foundation; Smith, Wendy, field team; Davidson, Paul, field team; McNatt, Jason, field team; Schara, Mark, project manager; Boucher, Jack E, photographer; Price, Virginia Barrett, historian; Price, Virginia B, transmitter; Schara, Mark, project manager; Price, Virginia B, transmitter
Depicted place Virginia; Arlington County; Arlington
Date 2005
Dimensions 5 x 7 in.
Current location
Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA http://hdl.loc.gov/loc.pnp/pp.print
Accession number
HALS VA-9-7
Credit line
This file comes from the Historic American Buildings Survey (HABS), Historic American Engineering Record (HAER) or Historic American Landscapes Survey (HALS). These are programs of the National Park Service established for the purpose of documenting historic places. Records consist of measured drawings, archival photographs, and written reports.

This tag does not indicate the copyright status of the attached work. A normal copyright tag is still required. See Commons:Licensing.

Notes
  • Significance: The immediate importance of the second flag-raising that occurred on 23 February 1945 on the Japanese island of Iwo Jima lies in how it resonated with the U.S. Marines as they continued their thirty-six day invasion, boosting their morale in battle. Equally as important is how the Associated Press image of the five marines and one sailor struggling to place the American flag on Mount Suribachi, as captured by photographer Joe Rosenthal, resonated with those at home. Many, in fact, interpreted the photograph as a sign that the battle was won. However premature this understanding was, the capture of Iwo Jima in World War II was indeed a seminal point in the Pacific war front, turning the tide in the American forces' favor. A reminder of a significant military engagement, and emotionally compelling, the image of the six men raising the flag on Iwo Jima quickly became iconic. The photograph, ultimately, inspired sculptor Felix de Weldon to fashion a three-dimensional model of the event; it was this model that was adapted by architect Paul Franz Jaquet initially, and later by Horace W. Peaslee, for use as the memorial to the Marine Corps's dead of all wars. No other form was considered.

The connection between the Rosenthal photograph, and later the statue, with the generation that lived through the second world war and with successive generations is the intangible quality that keeps the memorial sacrosanct, that enables one site to link past and present sacrifices, lives, and lessons hopefully learned. This connection also sustains the commemorative purpose of the memorial grounds so that respect for place accompanies recreational needs for open space.

The second flag-raising on Iwo Jima was one of the most compelling, documented events in Marine Corps history and so evocative an image that it was chosen - by them - to represent that past, and their sacrifices in the memorial. For the Marines, who celebrated their 179th birthday "by unveiling in Washington on Virginia's bank of the Potomac, the soul-stirring statue by Felix de Weldon of the never-to-be-forgotten flag-raising at Iwo Jima [,] every member [...] sincerely believe[d] that no more fitting symbol of the glory and accomplishments of the Corps could have been selected than this [...] dramatization of the Corps's trademark, 'the Marines have landed and have the situation well in hand.'" Many concurred. The Evening Star reported on the dedication, noting that the statue "commemorate[d] one of the greatest moments in Marine Corps annals." General Lemuel C. Shepherd, Jr., Commandant, on the other hand, reiterated that the monument was meant to honor "the memories of [all] the brave men who have died in the service of their country." Shepherd also declared it was not "monument to war." Instead the memorial was intended, and has become, a national symbol heralding the achievements of the Marine Corps and an enduring tribute to them in times of war and in peace.

  • Unprocessed Field note material exists for this structure: N9
  • Survey number: HALS VA-9
  • Building/structure dates: 1953-1955 Initial Construction
Source https://www.loc.gov/pictures/item/va1975.photos.218086p
Permission
(Reusing this file)
Public domain This image or media file contains material based on a work of a National Park Service employee, created as part of that person's official duties. As a work of the U.S. federal government, such work is in the public domain in the United States. See the NPS website and NPS copyright policy for more information.

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Date/TimeThumbnailDimensionsUserComment
current13:37, 4 August 2014Thumbnail for version as of 13:37, 4 August 20145,310 × 3,864 (19.57 MB) (talk | contribs)GWToolset: Creating mediafile for Fæ. HABS 2014-08-02 (3401:3600)

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