File:David Bailly Vanitas1651.jpg
Oprindelig fil (1.165 × 850 billedpunkter, filstørrelse: 128 KB, MIME-type: image/jpeg)
Captions
Beskrivelse[redigér]
David Bailly: Vanitas with self-portrait | |||||||||||||||||||||||||
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Kunstner |
artist QS:P170,Q724192 |
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Titel |
English: Self-Portrait with Vanitas Symbols Deutsch: Selbstbildnis mit Vanitassymbolen |
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Object type | maleri | ||||||||||||||||||||||||
Genre | Vanitas | ||||||||||||||||||||||||
Depicted people | David Bailly | ||||||||||||||||||||||||
Dato |
1651 date QS:P571,+1651-00-00T00:00:00Z/9 |
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Teknik |
olie på plade medium QS:P186,Q296955;P186,Q106857709,P518,Q861259 |
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Mål |
højde: 65 cm; bredde: 97,5 cm dimensions QS:P2048,65U174728 dimensions QS:P2049,97.5U174728 |
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Samling |
institution QS:P195,Q2098586 |
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Museumsnummer |
S 1351 (Museum De Lakenhal) |
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Noter |
English: Self portrait at actual age in oval frame, held in left hand by himself as a young man with maulstick. His wife at a young age in oval picture frame, and again as a ghost (she had already died in 1651) behind the wine glass in the smoke from the snuffed candle. Upper left on the wall is a print of the lute player by Frans Hals. The drawing of the bearded man is presumably his father or a teacher.
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Referencer | |||||||||||||||||||||||||
Kilde/Fotograf |
Web Gallery of Art: Billede Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/b/bailly/selfport.html" |
Licensering[redigér]
Dette er en troværdig, fotografisk gengivelse af et originalt todimensionelt kunstværk. Kopier af kunstværket er offentlig ejendom af følgende grund:
Den officielle holdning, som Wikimedia Foundation følger er, at "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For yderligere oplysninger, se Commons:When to use the PD-Art tag.
Denne fotografiske gengivelse betragtes derfor også som værende offentlig ejendom Vær opmærksom på, at, afhængig af lokale love, kan brug af dette indhold forbydes eller begrænses i dit område. Se Commons:Reuse of PD-Art photographs. |
Annotations InfoField | This image is annotated: View the annotations at Commons |
Vanity of vanities / everything is vanity / David. Bailij. pinxit. / Ao 1651
Self-portrait of David Bailly at the time of this painting
Self-portrait of David Bailly at a younger age
Portrait of the wife of David Bailly
Faint shadow of the wife of David Bailly (who had already died when this painting was made)
Filhistorik
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Dato/tid | Miniaturebillede | Dimensioner | Bruger | Kommentar | |
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nuværende | 7. nov. 2018, 09:25 | 1.165 × 850 (128 KB) | Fæ (diskussion | bidrag) | Revert to original, correctly coloured and verifiably sourced version per Commons:Administrators'_noticeboard/User_problems#User:Jan_Arkesteijn | |
24. maj 2014, 12:55 | 2.198 × 1.615 (2,06 MB) | Jan Arkesteijn (diskussion | bidrag) | higher resolution | ||
1. nov. 2006, 17:05 | 1.165 × 850 (128 KB) | Bodoklecksel (diskussion | bidrag) | {{Information| |Description=Self-Portrait with Vanitas Symbols, oil on wood |Source=http://www.wga.hu/frames-e.html?/html/b/bailly/index.html |Date=1651 |Author=David Bailly (1584 – 1657) |Permission=Copyright expired as artist died more than |
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Filanvendelse
De følgende 8 sider bruger denne fil:
- David Bailly
- Still-Life Paintings from the Netherlands 1550-1720
- Vanitas
- User:Donald Trung/The Blue Gallery
- User:Mattes/Favorite files/Images/B/Arts/Paintings/1
- File:Bailly, David – Self-portrait With Vanitas Symbols – 1651.jpg
- File:David Bailly Vanitas1651.jpg
- File:David Bailly after Frans Hals - the Lute player.jpg
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Metadata
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JPEG-filkommentar | BAILLY, David
(b. 1584, Leiden, d. 1657, Leiden) Self-Portrait with Vanitas Symbols 1651 Oil on wood, 65 x 97,5 cm Stedelijk Museum De Lakenhal, Leiden In this vanitas still-life, the border between the two genres of the still-life and the portrait are blurred. On the one hand, there are several portraits (as painting within the painting) forming part of a still-life arrangement on the table. The arrangement includes, among other things, a skull, an extinguished candle, coins, a wine glass on its side, a pocket watch, roses, a pearl necklace, a pipe, books and sculpture. Soap bubbles hover above them as symbols of transience. On the other hand, the entire collection functions as a statement about the young man on the left, whose face displays the typical features of a self-portrait. It may therefore be somewhat irritating that the artist was in fact 67 years old when he painted this picture in 1651. However, the contradiction can be solved when we consider that his current features are shown in the small oval portrait, demonstratively held out towards the viewer - a medium which in itself already documents the transience of life. The youthful artist's face, by contrast, shows Bailly as he was at an earlier stage in his life, more than four decades previously. Thus, by changing the time references of past fiction and present reality, the painting suggests that the young artist is anticipating his future age, which - though part of the present in 1651 - appears to belong to the past, as conveyed through the medium of the portrait. The young man, who appears to be so real within the first-degree reality of the painting, really represents a state of the past. Unlike the repetitive, dull and often schematic topics of Dutch vanitas still-lifes, the misleading time scale in Bailly's painting adds a new dimension to the whole subject.
Author: BAILLY, David Title: Self-Portrait with Vanitas Symbols Time-line: 1601-1650 School: Dutch Form: painting Type: portrait |
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Structured data
Elementer som er med i denne fil
afbilder
Vanitas with self-portrait engelsk
- Images from Web Gallery of Art
- Artworks with Wikidata item
- Artworks with accession number from Wikidata
- Artworks with known accession number
- Artworks digital representation of 2D work
- CC-PD-Mark
- PD-Art (PD-old-100)
- Images with annotations
- WGA form: painting
- WGA type: portrait
- WGA School: Dutch
- WGA time period: 1601-1650
- Image overwrites by Jan Arkesteijn for independent review