File:Dictionary of painters and engravers (1903) (14783882745).jpg

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Identifier: dictionaryofpain05brya (find matches)
Title: Dictionary of painters and engravers
Year: 1903 (1900s)
Authors: Bryan, Michael, 1757-1821 Williamson, George Charles, 1858-1942
Subjects: Painters Engravers
Publisher: London, G. Bell
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

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persuaded his fatherto indulge his sons inclination. After studying twoyears under his father he went to Naples in 1674,where he first became a disciple of Francesco diMaria, but left that master to enter the school ofGiacomo del Po. He afterwards went to Rome,where the works of Pietro da Cortona, Lanfranco,II Calabrese, Guido, and Carlo Maratti were hismodels. Among his best works are a series offrescoes in S. Paolo Maggiore, others at Naplesand Monte Cassino, and the Last Supper, in therefectory of the Conventuali at Assisi. In 1702he was commissioned by Philip V. of Spain topaint some pictures for the Royal Chapel at Madrid.He was the friend of Luca Giordano, and formedmany scholars, among whom the best known are,Seb. Conca, C. Giaquinto, N. M. Rossi, S. Capella,and F. di Mura. Solimena was also a poet andmusician. He died at Naples in 1747. Dresden »n Gallery. Death of S. Francis. „ Abduction of Hippodamia. „ Paris, Juno, and Iris. „ Sophonisba, &c. ANDREA SOLARIO b!~cj
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Drogi photo) (Brera Gallery, Milan THE REDEEMER PAINTERS AND ENGRAVERS. Florence. Genoa. Due. Pal. Madrid. Museum. Milan. Brera. » » Naples S. Paolo. »» Gesit Nuovo. Paris. Louvre. Borne. Corsini. Vienna. Uffizi. His own Portrait.„ Diana at the Bath. Triumph of Mordecai. The Brazen Serpent. Prometheus. Meeting of a King and Pope. Establishment of a Beligious Order.Conversion of S. Paul.Fall of Simon Magus.Heliodorus driven from the Temple.The same Subject.Entry of Christ into Jerusalem.„ S. John the Baptist. Gallery. Cephalus and Aurora, andseveral others. DE, SOLIS, Francisco de, a Spanish painter, bornat Madrid in 1629, was instructed in art by hisfather, Joan de Solis, a little-known painter.Intended at first for the Church, he was led to takeup art in earnest by the success of a picture paintedin his eighteenth year, which attracted the noticeof Philip IV., who directed him to put his nameand age upon it. This brought him into publicfavour, and he obtained much employment.

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