File:Footfalls of Indian history (1915) (14803560523).jpg

From Wikimedia Commons, the free media repository
Jump to navigation Jump to search

Original file(1,394 × 1,898 pixels, file size: 627 KB, MIME type: image/jpeg)

Captions

Captions

Add a one-line explanation of what this file represents

Summary

[edit]
Description
English:

Identifier: footfallsofindia00niveuoft (find matches)
Title: Footfalls of Indian history
Year: 1915 (1910s)
Authors: Nivedita, Sister, 1867-1911
Subjects: India -- Description and travel India -- Religion Ajanta Caves (India)
Publisher: London : Longmans Green
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: MSN

View Book Page: Book Viewer
About This Book: Catalog Entry
View All Images: All Images From Book
Click here to view book online to see this illustration in context in a browseable online version of this book.

Text Appearing Before Image:
uld havebeen obvious that these were late examples, evenif Fergusson had not already announced thatopinion. The main chamber of each monasteryseems to have been a hall or court, either squareor circular, in the middle of which stood an altarsurmounted by a dagoba. Round this the wallswere broken up into quantities of small niches orchapels, each one containing its image, and thewhole decorated to excess. Regarding this as re-presenting theoretically the vihara surroundinga dagoba of earlier days, Fergusson is very properlystruck with astonishment by the phenomenon. Inno Buddhist monument in India of which he knows,he says, have the monks ever been thrust out ofthe cells to make way for images. If he had notbeen told what the plans were and where theycame from, he would unhesitatingly have pro-nounced them to be from Jain monasteries of theninth and tenth centuries. From architectural con-siderations he thinks that the classical influencesseen here must have culminated at and after the
Text Appearing After Image:
RELIEF FROM MUHAMMAD NARI, IN VUSUFZAI THE ANCIENT ABBEY OF AJANTA 115 time of Constantine, that is from A.D. 306 onwards,and that they speak even more loudly of Byzantiumthan of Rome. He has difficulty in understandinghow Byzantium should make itself so strongly feltin a remote province, without leaving any trace onthe arts of intermediate kingdoms, such as theSassanian empire. But we have already seen thatthis is no real difficulty, since it is precisely attheir terminal points that those influences act,which pour along the worlds great trade-routes.The Indian man of genius in modern times makeshis personality felt in London, and not in France,though he landed at Marseilles. For ourselves, however, while we grant themixture of elements in Gandhara, the questionarises whether the latter did not influence Byzan-tium quite as much as the Western capital influ-enced it. According to the data thus propounded,we may expect to find amongst these Gandharansculptures a vast mixture of decora

Note About Images

Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations may not perfectly resemble the original work.
Date
Source

https://www.flickr.com/photos/internetarchivebookimages/14803560523/

Author Internet Archive Book Images
Permission
(Reusing this file)
At the time of upload, the image license was automatically confirmed using the Flickr API. For more information see Flickr API detail.
Flickr tags
InfoField
  • bookid:footfallsofindia00niveuoft
  • bookyear:1915
  • bookdecade:1910
  • bookcentury:1900
  • bookauthor:Nivedita__Sister__1867_1911
  • booksubject:India____Description_and_travel
  • booksubject:India____Religion
  • booksubject:Ajanta_Caves__India_
  • bookpublisher:London___Longmans_Green
  • bookcontributor:Robarts___University_of_Toronto
  • booksponsor:MSN
  • bookleafnumber:147
  • bookcollection:robarts
  • bookcollection:toronto
Flickr posted date
InfoField
30 July 2014


Licensing

[edit]
This image was taken from Flickr's The Commons. The uploading organization may have various reasons for determining that no known copyright restrictions exist, such as:
  1. The copyright is in the public domain because it has expired;
  2. The copyright was injected into the public domain for other reasons, such as failure to adhere to required formalities or conditions;
  3. The institution owns the copyright but is not interested in exercising control; or
  4. The institution has legal rights sufficient to authorize others to use the work without restrictions.

More information can be found at https://flickr.com/commons/usage/.


Please add additional copyright tags to this image if more specific information about copyright status can be determined. See Commons:Licensing for more information.
This image was originally posted to Flickr by Internet Archive Book Images at https://flickr.com/photos/126377022@N07/14803560523. It was reviewed on 26 September 2015 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

26 September 2015

File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current00:34, 26 September 2015Thumbnail for version as of 00:34, 26 September 20151,394 × 1,898 (627 KB) (talk | contribs)== {{int:filedesc}} == {{information |description={{en|1=<br> '''Identifier''': footfallsofindia00niveuoft ([https://commons.wikimedia.org/w/index.php?title=Special%3ASearch&profile=default&fulltext=Search&search=insource%3A%2Ffootfallsofindia00niveuof...

There are no pages that use this file.