File:KARURA GARUDA HORYUJI GIGAKU MASK.JPG
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[edit]DescriptionKARURA GARUDA HORYUJI GIGAKU MASK.JPG |
English: KARURA(GARUDA) CamphorWood, Colored, 28.6x21cm 法215号 Tokyo National Museum, former Horuji-Temple 日本語: 迦楼羅(ガルーダ) 伎楽面、樟材、彩色、28.6x21cm 法215号、東京国立博物館、法隆寺宝物館 |
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Date | ACE1929 | ||||||
Source |
English: Anthology of Fine-Arts, HIkarimura, Tokyo, Japan ACE1927-1929 日本語: 美術選集、美術選集刊行会、光村美術出版蔵版、昭和2-4年 |
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Author | HIkarimura | ||||||
Permission (Reusing this file) |
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Licensing
[edit]PD-Japan-oldphoto
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 08:40, 23 May 2015 | 1,018 × 1,207 (271 KB) | ReijiYamashina777 (talk | contribs) | User created page with UploadWizard |
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Metadata
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Camera manufacturer | Panasonic |
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Camera model | DMC-FZ2 |
Exposure time | 1/60 sec (0.016666666666667) |
F-number | f/2.8 |
ISO speed rating | 150 |
Date and time of data generation | 12:44, 14 December 2005 |
Lens focal length | 4.6 mm |
JPEG file comment | ImageFilter v6.3 : |
Orientation | Normal |
Horizontal resolution | 72 dpi |
Vertical resolution | 72 dpi |
Software used | Ver1.00 |
File change date and time | 12:44, 14 December 2005 |
Y and C positioning | Co-sited |
Exposure Program | Portrait mode (for closeup photos with the background out of focus) |
Exif version | 2.2 |
Date and time of digitizing | 12:44, 14 December 2005 |
Meaning of each component |
|
Image compression mode | 4 |
APEX shutter speed | 5.907 |
APEX aperture | 3 |
APEX exposure bias | 0 |
Maximum land aperture | 3 APEX (f/2.83) |
Metering mode | Pattern |
Light source | Unknown |
Flash | Flash did not fire, compulsory flash suppression |
Supported Flashpix version | 1 |
Color space | sRGB |
Sensing method | One-chip color area sensor |
File source | Digital still camera |
Scene type | A directly photographed image |
Custom image processing | Normal process |
Exposure mode | Auto exposure |
White balance | Auto white balance |
Digital zoom ratio | 0 |
Focal length in 35 mm film | 35 mm |
Scene capture type | Portrait |
Scene control | Low gain up |
Contrast | Hard |
Saturation | High saturation |
Sharpness | Hard |
Subject distance range | Close view |