File:NDL1098120 世界文明批判.pdf

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Original file(5,164 × 4,268 pixels, file size: 24.49 MB, MIME type: application/pdf, 52 pages)

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[edit]
世界文明批判   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
社会教育会
image of artwork listed in title parameter on this page
Title
世界文明批判
Series title 東洋復興運動資料パンフレツト ; 第1輯
Publisher
社会教育会
Language jpn
Publication date

1934

昭和9
Place of publication JP
Source

doi:10.11501/1098120

institution QS:P195,Q477675
Creator
InfoField
社会教育会 編
Publication Place
InfoField
[東京]
Subject: NDC
InfoField
204
Extent
InfoField
84p ; 19cm
Material Type
InfoField
Book
Source Identifier: JPNO
InfoField
44030943
Date Digitized: W3CDTF
InfoField
2010-03-31
Audience
InfoField
一般
Title Transcription
InfoField
セカイ ブンメイ ヒハン
Series Title Transcription
InfoField
トウヨウ フッコウ ウンドウ シリョウ パンフレット ; 1
Publisher Transcription
InfoField
シャカイ キョウイクカイ
Source Identifier: NDLBibID
InfoField
000000630699
Call Number
InfoField
特251-31
Creator: NDLNAId
InfoField
00265993
Contents
InfoField
標題

目次

一 現代の不安と東洋文化/1

所謂科學的文明

經濟的不安

政治的不安

現代文化に對する不安

東洋文化へ反省

二 東西兩文化の淵源と基礎/9

一、 支那古代文化と孔子/9

支那古代文化

孔子

二、 印度文化と釋迦/13

印度文化の起源

釋迦

アソカ王

三、 日本文化の基礎/19

建國の精神

聖徳太子

四、 西洋文化の淵源/24

ギリシャ文化

ローマ

キリスト教

三 文化の回顧と復古/33

一、 支那文化に於ける復古/34

六朝

宋明

二、 印度文化に於ける復古/45

三、 日本文化に於ける復古/47

大陸文物の移入

平安文化

武家時代

明治維新と其の後の文化

四、 ルネッサンスと西洋文化/62

中世の暗黒時代

ルネッンスの原因

イタリーに於けるルネッサンス

各國の文化

英國に於けるルネッサンスの影響

フランスに於けるルネッサンスの影響

ドイツに於ける影響

ロシアに於ける影響

歐洲現代文化

西洋勢力の東漸と西洋文の化の司配

四 文明の復興と日本/79

一、 實證としての文明/79

二、 危惧すべき我が國民の文化的態度/82

寫眞

伊勢神宮・口繪兩面

(一) アソカ王國地圖/14p

(二) アソカ王の詔勅を刻した石柱/18p

(三) 法隆寺俯瞰圖/22p

(四) 希臘パストウムのポセイドン神殿/25p

(五) ローマ帝國最大版圖/30p

(六) コロセウム(ローマの大圓形劇場)/31p

(七) 唐代支那の地圖/36p

(八) 徽宗皇帝作「鶉」/42p

(九) ガンダラ佛像/46p

(十) 源氏物語繪卷/50p

(十一) 源頼朝似繪/53p

(十二) 桂離宮玄關/56p

(十三) 歌舞妓/58p

(十四) 浮世繪(春信作助六見立)/59p

(十五) ヨーロッパ民族大移動の圖/63p

(十六) レオナルド・ダ・ヴインチ作「最後の晩餐」/66p

Licensing

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This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain
According to Japanese Copyright Law (June 1, 2018 grant) the copyright on this work has expired and is as such public domain. According to articles 51, 52, 53 and 57 of the copyright laws of Japan, under the jurisdiction of the Government of Japan works enter the public domain 50 years after the death of the creator (there being multiple creators, the creator who dies last) or 50 years after publication for anonymous or pseudonymous authors or for works whose copyright holder is an organization.

Note: The enforcement of the revised Copyright Act on December 30, 2018 extended the copyright term of works whose copyright was valid on that day to 70 years. Do not use this template for works of the copyright holders who died after 1967.

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