File:A stained glass tour in Italy (1913) (14782534404).jpg

Identifier: cu31924024837159 (find matches)
Title: A stained glass tour in Italy
Year: 1913 (1910s)
Authors: Sherrill, Charles Hitchock, 1867-
Subjects: Glass painting and staining
Publisher: London, John Lane New York, The John Lane Company (etc., etc.)
Contributing Library: Cornell University Library
Digitizing Sponsor: MSN

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many of the clergy, but nevertheless heaccomplished greater reforms by the example ofa life which in itself was so potent a reproach tothe erring. In our modern days of reason andadvanced civilization it is difficult for us to realizethe constant difficulties which confronted this monkin his attempt to ^accomplish what we know he didin the stress of the turbulent life going on all abouthim. To feel his personality and to understandthe force which he and his life wielded during theMiddle Ages, one must go to Assisi. The placeis eloquent of him, and still possesses the atmos-phere of religious mysticism that, although it existedside by side with the constant clash of arms, yetin no wise yielded place. The town straggles up a hillside so steep thatone wonders that the church of San Francescoremains anchored to its site. Above we have awell-lighted, airy edifice, while beneath its pavementthe slope of the hill permits an understructure,on three sides of which a series of short windows 58
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Assisi temper the gloom of the constant twilight lyingabout the tomb of the gentle Francis. Both in thelofty lancets of the upper church and the shortembrasures of the lower one is to be found a wealthof stained glass of the mosaic medallion type. Sorare is the product of this period in Italy that thisis the only place where enough examples exist toenable one satisfactorily to compare and study theschool. In the lower church we can inspect themat close range and, at our ease, puzzle out thestory of the little scenes told in morsels of glasslaboriously leaded together. A painstaking craftwas that of the early glazier 1 Here there aresurprises in store for those who have studied themosaic medallions of France and England, andgrown accustomed to the circles, squares, etc., thereso customary. At Assisi the designer of themedallion shapes ran riot, and his diminutive peopleare enclosed in frames of every imaginable shape.The 13th century medallions in the upper churchare more after the fas

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