File:Antonio Allegri da Correggio, his life, his friends, and his time (1896) (14595687168).jpg

Identifier: antonioallegrida00riccrich (find matches)
Title: Antonio Allegri da Correggio, his life, his friends, and his time
Year: 1896 (1890s)
Authors: Ricci, Corrado, 1858-1934 Simmons, Florence
Subjects: Correggio, 1489?-1534
Publisher: New York : Charles Scribner's sons
Contributing Library: University of California Libraries
Digitizing Sponsor: MSN

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Text Appearing Before Image:
, leans against theVirgins shoulder.^ Laying his right hand on that of St. Joseph to takethe dates—an action which produces a fine eftect of contrast in theilesh-tones—he leans back to his mother to ask for water, pointing atthe cup she holds out to a flower-crowned boy, the genius of themiraculous spring. She lays her left hand on the yellow veil abouther shoulders to prevent it from slipping off, and draws its transparentfolds, through which her crimson robe is visible, more closely abouther. This instincti\e by-play by no means diverts her attention fromthe Child, at whom she gazes with a gentle inclination of the head anda smile of such infinite sweetness as to awaken the deepest sympathiesof the spectator. In the background, behind .St. Joseph, an angel, whose figure isilluminated by the sunshine, ties the ass to the stump of a tree. TIktc is ail old copy of tlic head of the Child in the Muiiieiiial Gallery at \erona,where it is described as an original i)icture by Correggio.
Text Appearing After Image:
LA NOITi: •• 289 Not only the group of angels above, but the part of the Virgins facewhich is in shadow, the back of the Child, and the legs of St. Joseph,bear the traces of over-cleaning. It is perfectly untrue, however, thatthe picture was ruined by a .Spanish apprentice, who, having obtainedleave to copy it, wa.shed it in so barbarous a fashion that he leftscarcely an\- paint on the panel. ^ Mengs partially cleaned it, butwith the utmost care. On the whole, indeed, taking into account the vicissitudes under-gone by most of Corregglos works, the condition of the picture isunusually satisfactory. The perfect harmony of the tones has beendisturbed to a certain extent ; but the enamelled colour has still anenchanting splendour and transparence. The magic effect of thesunshine in the mysterious forest glade, says Burckhardt, the love-liness ot the heads, the magnificent colour, and the indescribable splen-dour of the whole, make this work one of the painters masterpieces. The two gr

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