File:Catalogue of the furniture, marbles, bronzes, clocks, candelabra, majolica, porcelain, glass, jewelery, goldsmith's and silversmith's work, ivories, medals, illuminations, miniatures, and objects of (14740196216).jpg

Identifier: catalogueoffurni00wall (find matches)
Title: Catalogue of the furniture, marbles, bronzes, clocks, candelabra, majolica, porcelain, glass, jewelery, goldsmith's and silversmith's work, ivories, medals, illuminations, miniatures, and objects of art generally, in the Wallace collection
Year: 1910 (1910s)
Authors: Wallace Collection (London, England)
Subjects: Art Art objects
Publisher: London, Printed for H. M. Stationery Off
Contributing Library: Smithsonian Libraries
Digitizing Sponsor: Smithsonian Libraries

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The Last Judgment. Limoges Enamel painted in grisaille.By Pierre Raymond. Signed : P. R. French. Middle of XVI Century. 245. Oval Plaque of Limoges Enamel.The Virgin and Child. Freely adapted from the Madonna di Foligno of Raphael inthe Pinacotheca of the Vatican.French. Middle of XVI Century. 246. The Virgin and Child. Limoges Enamel, painted in colours.French. First Years of the XVI Century. 247. The Virgin and Child. Limoges Enamel, painted in colours.By Nardon Penicaud, or of his school. The style has a certain general analogy with that of the famous French painter Jean Fouquetin the Virgin and Child (Agnes kworel) of the Antwerp Gallery.trench. Latter Half of XV Century. 248. The Adoration of the Magi. Limoges Enamel.School of Nardon Penicaud. French. Latter Half of XV Century. 249. Plaque of Limoges Enamel, painted in colours heightened with gold. The Figure of a Hero or Ruler of Antiquity, with theinscription: Car y-crtui qui est fort est puissant pour sonplaisir. lA CO m C1 CD
Text Appearing After Image:
•GALLERY. III., CASE F. 6& The style recalls that of Jean I. Penicaud ; but the manner of theflesh-painting suggests a slightly later date than his.French. Early XVI Century. 250- Series of 24 Plaques of Limoges Enamel, painted incolours heightened with gold, representing the Temptation ofAdam by Eve, the Expulsion from Paradise, the Nativity, andScenes from the Life and Passion of Christ. The designs, areall of them, with the exception of the Flagellation, copiedfrom the so-called Small Passion of Albrecht Diirer (1511) ;such slight variations from the originals as may be detectedhere and there in them are attributable to this translation bythe French artist-craftsman of line engravings into decorativeenamel panels. Ascribed to Jean II. Penicaud.French. Earlier Half XYI Century. 251. Xiimogres Enamel painted in colours. Portrait of LouisXIII u Boy de France et de Navarre By Jean Limousin. Signed : x$c French. First Half of XYII Century. 252. Removed to Case A, Gallery XII. See

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