File:International studio (1897) (14782671222).jpg

Identifier: internationalstu70newy (find matches)
Title: International studio
Year: 1897 (1890s)
Authors:
Subjects: Art Decoration and ornament
Publisher: New York
Contributing Library: Robarts - University of Toronto
Digitizing Sponsor: University of Toronto

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uffusehis canvas. His trees are really up-growingand his moon is shining. Mr. Lever was born in South Australia in 1875and came to St. Ives, Cornwall, England, whenhe was eighteen \ears old. He studied yearsamong the boats, when the tide was out andwhen it was in, at all hours; sunrise, midday, sun-s..t and moonlight. St. Ives, Cornwall, is one ofhis most brilliant canvases. Moniing in St. IvesHarbor was awarded the Sesnan Gold Medal inPhiladelphia in iqi?- He spent two winters in Paris, although hewas drawing the figure, there was always the lureof the Seine and its barges. He is permanently represented in the BrooklynMuseum, the Corcoran Gallery of Art, Wash-ington, D. C, the Philadelphia Academy of theFine Arts, Sydney Gallery, New South Wales,Adelaide Gallery, Australia; and has received goldand silver medals from the National Arts Club,New York, a gold medal at the Panama-PacificExposi tion, San Francisco, andHon. Mention at theCarnegie Institute, Pittsburgh, and many others. /yf
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.jj ^ ,^ . ■Si _ ^ Uh O <^ - • « 7) -/) -X) r, n t^ 3h 2^2 - ^f^ < < U <3 - INTERNATIONALSTUDIO VOL. LXX. No. 279 Cpyri^hl, 1920. bvjohn Lone Compan\, JUNE, 1920 T HE CARNEGIE INSTITUTEEXHIBITIONBY JAMES B. TOWNSEND It is in the unique opportunity forthe study of the result of and effect on theart of painting in (Ireat Britain, France, theUnited States, and to a limited degree inScandinavia, Spain, Russia, and even Poland,and for comparison of the inspirations andtechnique of the modem painters of thesecountries, afforded by the nineteenth annualInternational Exhibition—which may justlybe termed an International Salon—now inprogress in the Carnegie Institute Galleries atPittsburgh—that its chief value and impor-tance to the artist, art student, and the artlover lies. The large expenditure necessitated by theselection and transportation from Europe ofno less than 175 canvases, most of them of largedimensions, and with heavy frames, and evenof the remaining 198 Am

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