File:JacobEpstein DayAndNight.jpg
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Jacob Epstein's Day and Night (1928) Portland Stone, carved for London Underground's Headquarters at 55 Broadway, London.
When they were unveiled, the graphic nudity of the sculptures was just too shocking for Londoners in the 1920s. Newspapers started a campaign to have the statues removed and one company director even offered to pay the cost.
Frank Pick the managing director of London Underground at the time took overall responsibility and offered his resignation over the scandal. In the end, Epstein agreed to remove a couple of inches from the penis of the smaller figure on Day and ultimately the furore died down.
Photograph © Andrew Dunn, 29 September 2004. |
Website: http://www.andrewdunnphoto.com/ |
Já, držitel autorských práv k tomuto dílu, ho tímto zveřejňuji za podmínek následující licence: Tento soubor podléhá licenci Creative Commons Uveďte autora-Zachovejte licenci 2.0 Generic
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Originally uploaded to En Wikipedia by en:User:Solipsist as en:Image:JacobEpstein_DayAndNight.jpg 12:56, 30 September 2004
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The photographic reproduction of this work is covered under United Kingdom law (Section 62 of the Copyright, Designs and Patents Act 1988), which states that it is not an infringement to take photographs of buildings, or of sculptures, models for buildings, or works of artistic craftsmanship permanently located in a public place or in premises open to the public. This does not apply to two-dimensional graphic works such as posters or murals. See COM:CRT/United Kingdom#Freedom of panorama for more information.
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See also[editovat]
- 55 Broadway London building.
- Oral history by Anthony Bull recalling Frank Pick's involvement with commissioning the sculptures.
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Datum a čas | Náhled | Rozměry | Uživatel | Komentář | |
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současná | 8. 9. 2006, 07:02 | 883 × 574 (120 KB) | Solipsist~commonswiki (diskuse | příspěvky) | Jacob Epstein's ''Day'' and ''Night'' (1928) Portland stone, carved for London Underground's Headquarters at 55 Broadway London. When they were unveiled, the graphic nudity of the sculptures was just too shocking for Londoners in the 19 |
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