File:NLC416-09jh002478-23599 畫學真詮.pdf

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畫學真詮   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
劉海粟編纂
image of artwork listed in title parameter on this page
Title
畫學真詮
Publisher
商務印書館[發行者]
Description

論述鉛筆畫寫生的概念、靜物、風景、動物、人物等

目錄
第一章 總論
第一節 鉛筆畫之名稱
第二節 鉛筆畫之價值
第三節 鉛筆畫之位置
第二章 材料與使用
第一節 鉛筆 畫紙 象皮之選擇
第二節 畫囊速寫簿與畫夾之便利
第三節 應用畫具之情形
第三章 線與濃淡之關係
第一節 畫線之準備
第四章 寫生概念
第一節 摹寫非畫學之正軌
第二節 寫生為直接的審察
第三節 寫生宜注意之點
第四節 寫生之實測與比例
第五章 靜物寫生
第一節 靜物寫生之次第
第二節 對於物體受光之構成
第三節 皴光暗法與物體大部小部之關係
第四節 對於物質之識別
第五節 植物實寫宜注意其生氣
第六章 風景寫生
第一節 野外寫生入手之注意點及其興趣
第二節 鉛筆畫野外寫生與色彩畫野外寫生之異點
第三節 野外寫生宜注重氣候之變化
第四節 章法之審定
第五節 審定章法宜注意視角及透視法
第六節 關於風景寫生章法中之點綴
第七節 風景中之賓主
第八節 野外寫生上之經驗
第九節 風景描寫之實例
第十節 紙筆與天氣之關係
第七章 描寫之實例
第一節 描寫之次序
第二節 描寫須注意直線之觀察
第三節 描寫須運用自然之意味
第四節 描寫須運以相當之襯線
第八章 速寫法
第一節 速寫法之用意
第二節 速寫宜具正當之感情
第三節 速寫小景宜以人事為主格
第四節 速寫之取材
第五節 速寫與作線之關係
第九章 動物寫生
第一節 寫動物當研究其性質
第二節 寫動物宜學解剖
第三節 寫動物宜注意於觀察
第十章 人物寫生
第一節 繪人物用木炭與鉛筆之比較
第二節 人物畫須注意自然之精神
第三節 人物寫生之次序
第四節 鉛筆不適宜於裸體寫生
第五節 着衣人物寫生之取材
第六節 人物寫生宜從老人男子入手
第七節 人物寫生之姿勢與部位
第十一章 色鉛筆畫
第一節 色鉛筆之種類
第二節 色鉛筆非完全之色彩寫生
第三節 色鉛筆於畫線之注意
第四節 色鉛筆畫面要清潔

Language Chinese
Publication date 民國8[1919]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
主題
InfoField
繪畫-技法(美術) 鉛筆畫-技法(美術)
中圖分類
InfoField
J21
載體形態
InfoField
96頁

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current16:53, 22 April 2023Thumbnail for version as of 16:53, 22 April 20231,239 × 1,754, 116 pages (5.46 MB)PencakeBot (talk | contribs)Upload 畫學真詮 (1/1) by 劉海粟編纂 (batch task; nlc:data_416,09jh002478,23599; 民國圖書-PD2022.2; 畫學真詮)

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