File:NLC416-09jh005370-45515 中國戲劇.pdf

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Summary[edit]

中國戲劇   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
[武德報社編]
image of artwork listed in title parameter on this page
Title
中國戲劇
Publisher
武德報社[發行者]
Description

內收《戲班今昔比較觀》、《論配角》、《梨園人的習氣》、《皮簧藝術非得自秦腔》、《三代名伶》、《臉子與藝術》等百餘篇有關戲劇理論、 藝術研究、梨園掌故、名伶軼事的文章

目錄
戲班今昔比較觀
挑班風氣大盛於今日
變更戲名似屬無謂
夜戲始源
場面
名伶最大惡習莫過自以為是
論配角
孟姜女哭夫彼時長城尚未修築
舊戲服裝的檢討
耳簽
梨園人的習氣
擺台與吹台
劉少少之遐思
皮黃藝衛非得字秦腔
擺門子今昔之不同
檢場之難
戲劇中罪犯上綁之分別
由淫戲只再禁論戲中風化
梨園祀神考
華樂戲院昔為雜耍館子
鬚生前後三派名次
三代名伶
楊宗保原來是女道士
溝通中日戲劇工作
鄂伶來京始於王洪貴李六
大鼓與戲劇
王長林不演婆子戲
戲劇中神鬼
反霸王別姬
丑角不應分文武
開口跳名稱之由來
丑扮老旦
劇中舞劍伴奏樂曲之商討
臉子與藝術
崑曲肇與於明中葉
弋腔考
胡琴傍角始於光緒初年
跑驢子昔為高腔劇本
梅蘭芳首倡皮黃「崑曲化」
保存舊劇精華亟應排演之三劇
十三咳來源及唱法
西皮調起源甘肅
七紅八黑
李敬山和梅蘭芳大開玩笑
三國事跡編為戲劇遠在明末之崑腔班
武生藝術前途悲觀
武生槍法逐漸失傳
武戲中之合唱已日見失傳
擰旋子
打出手
由孫悟空說到「昇平寶筏」
動作提綱
茶館添設清音棹始於英菊山
昇平署街得名的由來
南府地址非吳駙馬府
天壽堂祖師爺忽一夜生須
日本劇人的四種美德
俞振庭為梨園怪傑
伶人化裝所戴「網子」創自明太祖
王瑤卿是戲劇革命家
伶人自吹自擂的風氣汪笑儂為開始作俑者
黃潤甫往年耽於煙霞
追悼老供奉余玉琴
王長林無「佛」緣
譚鑫培在景春茶莊高談文昭關
記樂工劉兆奎
朱文英成名由俞菊笙激發
民初的捧角家被人貼龜
名票陳子田
記相聲名家窮不怕
高慶奎伯父高勝全為評話名家
張毓庭在黃金時代終日花天酒地
楊小樓生前怪癖
梅巧玲曾擬改演老旦
追憶楊許交惡
姚玉芙為孝伶
王惠芳和乞丐開玩笑
混元盒話舊
飲場記趣
陳德霖出身崑腔科班
清慈禧後愛聽秧歌
觀音戲
馬連良「春秋筆」舊為春台班秘本
抽象劇與寫實劇
黃金滿台
法門寺應添加監會
御碑亭之蛇足
姚佩蘭之回顧
丑角在後台為什麼不受約束
玉堂春的檢討
論名伶演雙出戲
沈寶鈞與沈韻秋
戲劇里的夫妻對面不相認
談反串
梆子遺翠花出於梨園記
程長庚敦請徐小香
舊傳孫菊仙汪桂芬事似非事實
兔爺之旗
論紅淨戲
梨園演封箱戲始於清同治間
黃月山善偷戲
堂會按戲論價始自譚鑫培
白良關亦名雌雄鞭
妙峰山景物曾編入歌劇
跑龍套
捧角大家易哭廠
漫談舞台色彩
戲子墳

Language Chinese
Publication date 民國28[1939]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
主題
InfoField
戲劇-藝術理論
中圖分類
InfoField
J82
載體形態
InfoField
134頁

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current18:44, 22 April 2023Thumbnail for version as of 18:44, 22 April 2023820 × 1,139, 142 pages (6.53 MB)PencakeBot (talk | contribs)Upload 中國戲劇 (1/1) by [武德報社編] (batch task; nlc:data_416,09jh005370,45515; 民國圖書-PD2022.2; 中國戲劇)

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