File:NLC416-12jh005089-44677 小說講話.pdf

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Summary[edit]

小說講話   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Author
石葦著
image of artwork listed in title parameter on this page
Title
小說講話
Publisher
光明書局
Description

本書分為三編：創作與創作家、創作與技巧、短篇創作論

目錄
第一編 創作與創作家
第一講 小說的種類及其發展
且慢談所謂定義
小說與近代小說
小說的分類
小說的始源
傳奇
近代小說的嚆矢
浪漫派小說
寫實派小說
第二講 中國小說之過去和現在
中國小說的分類
詩體的小說
筆記體的小說
話本體的小說
章回小說
一般的缺點
新小說的先驅者
四種機能
新文學的方法
作家輩出
作者與讀者
第三講 創作家的態度
創作及其態度
熱愛人生
以鄭振鐸為例
以冰心為例
批判人生
以葉紹鈞為例
改造人生
以魯迅為例
以矛盾為例
第四講 創作與天才問題
天才論
天才反對論
天才與社會環境
第五講 創作與修養
天才與修養
修養的方法
觀察
思辨
讀書
批評與自我批評
介紹和翻譯之類
堅忍心
堅忍心與創作
堅忍心與修養
第六講 怎樣着手創作
創作的開始
認識問題
題材問題
主題問題
技術問題
創作是凝合體
正確與歪曲
深刻與浮泛
合理與背理
獨創與模仿
第二編 創作與技巧
第七講 人物
人物的選擇
主人公
附屬人物
主人公的有無
人物的增刪
人物的特性
典型性
個人性
典型人物
個性的重要
典型性個人性之綜合
人物的變化
表現人物的兩種方法
直接表現法
解說
描寫
心理分析
其他人物的報告
間接表現法
言語
動作與情態
人物暗示人物
環境
第八講 觀察點和敘述法
觀察點和敘述法
着眼於主要人物
着眼於附屬人物
全知的方法
純客觀的方法
主客觀的綜合法
敘述的範圍
縱的敘述法
橫的敘述法
敘述的程序
自然的程序
邏輯的程序
側重的程序
第九講 結構
結構的問題
結構之種類
散漫的結構
嚴密的結構
單純的結構
複合的結構
主要的與附屬的結構
分析的與綜合的結構
結構的時代性
結構簡單的小說
結構散漫的小說
結構謹嚴的小說
創作與結構
結構與目的
第十講 背景
背景的意義
點綴和渲染
發展動作
表現人物的生活和性格
表現人物的心理和情感
操縱人物
控制動作
表現時間和地域
表現地方色彩
表現氛圍氣
自然的背景
物質的背景
社會的背景
時代的背景
現實的背景
想像的背景
第十一講 動作與對話
動作與對話的意義
對話與會話
對話與獨白
對話和引號
促進動作
追述過去
加強現在
暗示未來
刻劃人物
對話與描寫
對話與方言
對話與小說的開端
條件種種
第三編 短篇創作論
第十二講 短篇小說的理論綱領
短篇小說是什麼
亞倫坡的單純效力說
莫柏桑的戲劇效力說
第十三講 短篇小說的創作方式
創作的方式
主題的發展
偏重的發展
偏重方法與經濟手段
第十四講 長篇·中篇·短篇
長篇與中篇
長篇與短篇
漫話
素描及其他
寓言和諷喻
短篇故事
第十五講 一般的錯誤觀念
觀察與表現
意識與技巧
年齡與才能等等
現實主義與浪漫主義
我的結論

Language Chinese
Publication date 民國三十年[1941]
Source
institution QS:P195,Q732353
(民國時期文獻 民國圖書)
館藏信息
InfoField
MG/I054/23
主題
InfoField
小說
中圖分類
InfoField
I054
載體形態
InfoField
196頁

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current11:04, 11 June 2023Thumbnail for version as of 11:04, 11 June 2023968 × 1,387, 212 pages (4.75 MB)PencakeBot (talk | contribs)Upload 小說講話 (1/1) by 石葦著 (batch task; nlc:data_416,12jh005089,44677; 民國圖書.7; 小說講話)

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