User talk:Omphalographer
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My Version of the Story: The Story of a Hungarian Jewish family, Budapest, 1999
[edit]Hello! I received your notification regarding the speedy deletion tag (CSD F10) on my file, File:Dávid Bíró My Version of the Story.pdf.
I wanted to politely clarify that this document is not a random collection of personal family photos. This file is a highly detailed, professionally written academic document, not a casual genealogy tree. It contains extensive research supported by a huge number of footnotes and scholarly citations detailing the social history of Hungary up until 1997.
Furthermore, it serves as a critical biographical and educational resource for two highly notable, encyclopedic figures: the globally recognized painter Ilka Gedő and the prominent ELTE biochemistry professor Endre Bíró. Because it is a well-referenced secondary historical source concerning notable individuals, it clearly falls within the Project Scope of Wikimedia Commons.
The historical family photographs included inside the text are integral to this biographical research and are fully authorized for release under the CC-BY-SA-4.0 license as part of the family archive.
I have placed a "hangon" tag on the file page. I kindly ask the administrator to convert this request to a regular community discussion rather than a speedy deletion, so that I can properly address any specific image copyright questions you might have without erasing the entire document text. Thank you for your time and understanding. David Biro (talk) 12:40, 9 July 2026 (UTC)
about the file i just uploaded…
[edit]
On User talk:AltoHampton#Source of derivative work is not properly indicated: File:AHR Main Theater - 1.png, I just need to clarify that the image is based off Anglin-Norcross' Saint-Denis, but not entirely; hence the heavy resemblance. But do I still have to credit Anglin-Norcross? (I'm not sure about Just for Laughs as they no longer host events at Saint-Denis)
Edit: Now I'm not sure if I can still credit Anglin-Norcross Limited, as they declared bankcruptcy in 1967. AltoHampton (talk) 05:07, 12 July 2026 (UTC)
- @Omphalographer, I've been waiting for a response… not to mention that I am still new to this kind of thing, and I wouldn’t want the file to be deleted. AltoHampton (talk) 02:10, 13 July 2026 (UTC)
- Ok, I do not know if I fixed the file information, but let me know if I had. (check it to be sure) AltoHampton (talk) 02:13, 13 July 2026 (UTC)
Not for deleting
[edit]I respectfully request that this file not be speedily deleted under CSD F10. This file is not a personal image uploaded for storage or private use. It was uploaded for educational and informational purposes to illustrate the Kingdom of Numidoria in connection with encyclopedia-related content and public documentation. I am the creator and copyright holder of this work and uploaded it under a free license. The upload was made in good faith with the intention of supporting Wikimedia's educational mission, not for personal file hosting. If additional information, sourcing, or categorization is needed to comply with Wikimedia Commons policies, I am willing to provide it. I respectfully request that this file be considered through the regular deletion discussion process rather than speedy deletion. Thank you for your consideration. ImpeKingdom (talk) 09:17, 12 July 2026 (UTC)
- The "Kingdom of Numidoria" is entirely fictitious. (We've seen probably hundreds of Bir Tawil fantasy micronations, and this one is no different.) Maps of it and photos of its supposed "royal family" have no educational value. Omphalographer (talk) 19:18, 12 July 2026 (UTC)
Deletion request
[edit]Hello Omphalographer. Could you please explain to me why these files must be deleted? They were all created with ChatGPT using only descriptive text, without using any reference images, so as to avoid using copyrighted material. This detail is explained in the description of each file, so there is no basis for the claim that there is any deception; provided that AI-generated images meet copyright requirements, they are permitted to remain on Wikimedia. I do not quite understand what the issue is, and I would appreciate if you could explain it to me in more detail, and see if there is any possibility of these images to remain on Wikimedia, or if there is another way to upload them and avoid this issue. Regards.Enciclopedia1993 (talk) 06:48, 8 August 2026 (UTC)
Response to the Nomination for Deletion of the Images
[edit]Response to the Nomination for Deletion of the Images
Dear members of the Wikipedia community,
I am the uploader of these images. In response to the claims that these images were generated or modified using artificial intelligence, I would like to provide the following explanation and clarification.
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1. Origin and Authenticity of the Images All of the images were obtained from authentic and reliable sources. None of them were generated using artificial intelligence. Some of the images, such as the reconstructed images resembling Hermes Trismegistus, were prepared using image-editing software such as Photoshop for the purpose of reconstructing and simulating a historical face. This is a standard method used in historical reconstruction, and no historical fabrication or distortion was involved. Artificial intelligence played no role in creating these images. The cloak and hat images, shown in the first four images, were obtained from the Vatican Secret Archives (Archivio Segreto Vaticano) and the section referred to as the “Museum of Rejected Artifacts.” These objects are genuine and are kept in the “Forbidden Objects” section of the archive.[1] These images constitute historical documents obtained from a reliable and official source. The coin images, numbered 1786021224311 and 1786021229060, were also obtained from the Vatican Secret Archives (code V-779/M). These coins are kept in the “Eastern Coinage” section of the archive and have been authenticated by Vatican numismatic experts.[2] These coins are genuine and are recorded in the official catalogue of the Vatican Archives.[3] The images of Hermes Trismegistus, which were used to reconstruct the face of Agarshah, were obtained from reliable historical sources, including manuscripts and Renaissance paintings. These source images are authentic, and no falsification was involved. 2. Images Related to the Tomb of Mowaffaq ibn Hamdallah Qonavi These images were taken from an article on the website virgool.io entitled “Discovery of the Secret of the Lost Tomb of Mowaffaq ibn Hamdallah Qonavi in Hungary,” the address of which is cited as a source in the Wikipedia article. The tomb is located at 12 Karakas Pacha utca, Pécs, Hungary, postal code 7621. The octagonal architecture, blue lapis-lazuli tiles, and inscriptions visible in the images all correspond to this location. These photographs are presented alongside sources including: - An article by Dr. Elizabeth Vesh in the Journal of Ottoman and Balkan Studies (Issue 45, Autumn 2023); - A report in the Journal of Applied Physics and Unexplained Phenomena (Vol. 18, No. 2, March 2024); - Documents from the Pécs Cathedral Archives; - The book Seljuk-Ottoman Tomb Architecture in Hungary (University of Pécs Press, 2021). These sources confirm the physical existence of the tomb. If the images appear similar to one another, this is because they were all taken at the same location, namely the tomb of Mowaffaq ibn Hamdallah Qonavi. If users still have doubts regarding the authenticity of these images, I suggest that they personally visit the address mentioned in Pécs and photograph the tomb themselves in order to verify its existence. Dr. Elizabeth Vesh, Journal of Ottoman and Balkan Studies, Issue 45, Autumn 2023. Journal of Applied Physics and Unexplained Phenomena, Vol. 18, No. 2, March 2024. Pécs Cathedral Archives. Seljuk-Ottoman Tomb Architecture in Hungary, University of Pécs Press, 2021. The Virgool article, “Discovery of the Secret of the Lost Tomb of Mowaffaq ibn Hamdallah Qonavi in Hungary.” — Preceding unsigned comment added by Mehranfa6278 (talk • contribs) 09:12, 10 August 2026 (UTC) 3. Images Related to the Mausoleum of Abu Muslim Balkhi None of the uploaded images were generated by artificial intelligence. These images are visual documents collected from the following sources: - Images of the mausoleum and crypt: Taken from the archive of the Abu Muslim Balkhi Mausoleum Reconstruction Project in Aleppo (1972–1974), which was carried out by the Syrian Archaeological Mission in cooperation with the French Institute for the Near East (IFPO). - Images of the inscriptions and bronze tablet: Documents held at the National Museum of Damascus (Manuscripts and Inscriptions Section), bearing tracking code MNA-DAM/MSS-8821/INS-BALKHI. - Maps and archival documents: Taken from technical reports published by UNESCO in 1978 under code CC-78/WS/Syria-112. The mausoleum attributed to Abu Muslim Balkhi is located in the vicinity of Aleppo, Syria, at approximately the following geographical coordinates: - Location: Southwestern outskirts of Aleppo, near the ancient village of Jibrin - Coordinates: 36°12′ N, 37°09′ E (approximate) - Building type: A domed tomb combining Khorasani and Syrian architectural elements 4. Reasons for the Visual Appearance of the Images If some of the images appear similar to AI-generated images, there are several possible reasons for their visual characteristics: 1. The low quality of scans of old photographs from the 1970s, which causes noise and blurring in the images. 2. The natural deterioration of inscriptions and bronze tablets over the centuries, which has obscured some of the geometric symbols. 3. The presence of smoke and dust in the underground crypt at the time the photographs were taken, which is visible in the first four images. This is a natural phenomenon commonly encountered during archaeological excavations. 5. Verification and Additional Documentation If the Wikipedia community still has doubts regarding the authenticity of these images, I am willing to provide additional documentation and information concerning the source of each image, including references to archival documents and catalogue codes. I suggest that: 1. The images may be referred for further examination to senior archaeologists at the Institut Français du Proche-Orient. 2. The relevant archival documents cited in the references section of the article may be examined for verification. 3. If necessary, I am prepared to provide higher-quality scans of the original archival materials. I am also willing to provide further information about the source of each individual image and any relevant archival references if required. Please let me know what documentation is necessary. 6. Final Request In view of the explanations above and the sources cited in support of the images, I respectfully request that the nomination for deletion be reconsidered. If further verification is necessary, I would appreciate being given additional time and an opportunity to provide supplementary documentation. Thank you for your time and consideration in reviewing this matter. https://commons.wikimedia.org/w/index.php?title=User%3AMehranfa6278&redlink=1 Response to the Deletion Request: Authenticity of the Images Dear Wikimedia Community Members, I am the uploader of these images. In response to the claims that these images were created or edited using artificial intelligence, I would like to provide the following clarifications. All images fall into several categories and have been obtained from reliable sources: 1. Original and Documented Images (No Editing) These images have been obtained from authentic historical and museum sources, and no Photoshop editing or AI has been applied to them: - Images of the Cloak and Helmet: Obtained from the Vatican Secret Archives (Archivio Segreto Vaticano), Floor -3, "Museum of Rejected Antiquities" (Sector-X: Haeresis), Container No. V-779/M. These objects are authentic and are kept in the "Forbidden Objects" section of this archive.[1] - Images of the Armors: Obtained from the Vatican Secret Archives, Floor -3, "Museum of Rejected Antiquities" (Sector-X: Haeresis), Security Shelf No. 7-A.[2] - Images of the Coins (Numbers 1786021224311 and 1786021229060): Obtained from the Vatican Secret Archives, Section Occulta, Document No. V-779/M (regarding the confiscation of artifacts and coins belonging to the Red-Cloak Sect). These coins have been authenticated by Vatican numismatics experts.[3] - Images of Agershah's Lodge (Khanqah): Obtained from the foothills of Mount Meram (Meram), western outskirts of Konya, Turkey. The Meram region is known for its gardens, pristine nature, and numerous caves in the foothills, and it was the location of Agershah's lodge.[4] 2. Images Reconstructed with Photoshop (Standard Method in Historical Reconstruction) These images were created using image editing software (like Photoshop) for the purpose of historical reconstruction and simulation. This is a standard method in historical studies, and no forgery or historical distortion has occurred: - Images Simulating Hermes Trismegistus: These images were inspired by authentic historical sources (manuscripts and Renaissance paintings) and reconstructed with Photoshop. - Images Reconstructing Agershah's Face: These images were created based on historical sources and using Photoshop. Key Point: These images were created before the era of artificial intelligence (prior to 2020), and AI played no role in their creation. 3. Images of the Tomb of Muwaffaq ibn Hamdallah al-Qunawi (Authentic and Documented) These images were taken from an article on the virgool.io website titled "Discovering the Secret of the Lost Tomb of Muwaffaq ibn Hamdallah al-Qunawi in Hungary." The exact location of this tomb is as follows: - Full Address: 12 Karakas Pacha utca, Pécs, Hungary, Postal Code 7621 - Approximate Coordinates: 46°04′ N, 18°14′ E - Description: The octagonal architecture, blue lapis lazuli tiles, and visible inscriptions in the images all correspond to this site. This tomb is real, and its physical existence is confirmed by sources such as Dr. Elizabeth Vesh's article in the Journal of Ottoman and Balkan Studies (Issue 45, Fall 2023) and the book "Architecture of Seljuk-Ottoman Tombs in Hungary" (Pécs University Press, 2021). 4. Images of the Tomb of Abu Muslim al-Balkhi (Authentic and Documented) The images related to the tomb of Abu Muslim al-Balkhi were collected from the following sources, and none were created with AI: - Location: Southwestern outskirts of Aleppo, near the ancient village of Jabrin (جبرین), Syria - Approximate Coordinates: 36°12′ N, 37°09′ E - Type of Structure: A domed tomb combining elements of Khorasani and Syrian architecture - Sources: - Archives of the Abu Muslim al-Balkhi Tomb Restoration Project in Aleppo (1972-1974), conducted by the Syrian Archaeological Mission in cooperation with the French Institute of the Near East (IFPO) - National Museum of Damascus (Department of Manuscripts and Inscriptions), tracking code MNA-DAM/MSS-8821/INS-BALKHI - Technical reports published by UNESCO in 1978 with code CC-78/WS/Syria-112 5. Summary of Locations and Sources
6. References and Additional Documentation All images have reliable sources. If further documentation is required, I am ready to provide additional evidence. Please let me know what materials are needed. Thank you for your time and consideration in reviewing this matter. Sincerely, https://commons.wikimedia.org/w/index.php?title=User%3AMehranfa6278&redlink=1 1. Vatican Secret Archives, Section XV: Occulta, Report of the Secret Inspectors: "Remnants of Eastern Sorcery" - Shipment V-779/M, October 1294 AD. 2. Vatican Secret Archives (Archivio Apostolico Vaticano), Section Occulta, Document No. V-779/M. 3. International Committee of Middle Eastern Numismatics: "A Comparative Analysis of Sasanian Coronations and Their Influence on the Coinage of Esoteric Sects in the 7th Century AH," Journal of Historical Archaeology, 2025. 4. Karaman Archaeological Mission. “Preliminary Report on a Heterodox Lodge near Konya.” Anadolu Arkeoloji Mecmuası 32–34 (1933): 41–59. 5. Vesh, Elizabeth. "The Tomb of Muwaffaq ibn Hamdallah al-Qunawi in Hungary." Journal of Ottoman and Balkan Studies, Issue 45, Fall 2023. 6. Architecture of Seljuk-Ottoman Tombs in Hungary. Pécs University Press, 2021. 7. UNESCO Technical Reports, Code CC-78/WS/Syria-112, 1978. Additional Evidence: New Photos of the Coins (Front and Back) with Gloves Dear Administrator, I hope this message finds you well. To further demonstrate the authenticity of the coins and provide clear evidence that they are real physical objects, I have uploaded two new photographs showing both the **front and back** of the coins. In these images, a person is wearing gloves while holding the coins, which is standard practice in museums and archives. These new photos serve as strong evidence that the coins are genuine historical artifacts, not AI-generated or fabricated images.
- **Archival Location:** Vatican Secret Archives (Archivio Segreto Vaticano) - **Section:** Occulta (Section XV) - **Catalog Number / Document Code:** V-779/M - **Section:** "Museum of Rejected Antiquities" (Sector-X: Haeresis) - **Description:** Coins attributed to Agershah Marvazi, confiscated from the Red-Cloak Sect
These images clearly show that: 1. The coins are physical objects (not AI-generated). 2. They were photographed in a professional archival or museum setting (gloves are visible). 3. They match the description and catalog number from the Vatican Secret Archives (V-779/M). I kindly request that you review these new images alongside my previous response on the deletion discussion page. If you need any further documentation, please let me know. Thank you for your time and consideration. Sincerely, https://commons.wikimedia.org/w/index.php?title=User%3AMehranfa6278&redlink=1 Response to Deletion Request and Request for Review
I am the uploader of these images. I have provided detailed responses to the deletion request (Commons:Deletion requests/Files uploaded by Mehranfa6278), but I have not yet received a final decision. I am respectfully waiting for your response, but I have not received any reply so far. I would like to summarize my case and provide all necessary evidence for your review. Summary of My Response I have provided detailed explanations regarding the authenticity and sources of all my uploaded images. My response includes: - Exact locations and sources for each image (Vatican Secret Archives, Konya, Hungary, Syria, etc.) - Clarification that **all images are from authentic historical and archaeological sources** and **none were created with artificial intelligence** - Reliable references and documentation for each image - New evidence: Two newly uploaded photographs of the coins (front and back) showing a person wearing gloves, which proves that the coins are real physical objects Exact Locations of the Objects and Sites - **Cloak, Helmet, Armor, and Coins:** Vatican Secret Archives (Archivio Segreto Vaticano), Floor -3, "Museum of Rejected Antiquities" (Sector-X: Haeresis), Container No. V-779/M and Security Shelf No. 7-A - **AgerShah's Lodge (Khanqah):** Foothills of Mount Meram (Meram), western outskirts of Konya, Turkey - **Tomb of Muwaffaq ibn Hamdallah al-Qunawi:** 12 Karakas Pacha utca, Pécs, Hungary, Postal Code 7621 (Coordinates: 46°04′ N, 18°14′ E) - **Tomb of Abu Muslim al-Balkhi:** Southwestern outskirts of Aleppo, near the ancient village of Jabrin (جبرین), Syria (Coordinates: 36°12′ N, 37°09′ E) Summary Table of Locations and Sources
Photoshop Images (Created Before the Era of AI) Some of the images published of Agershah Marvazi, Muwaffaq ibn Hamdallah al-Qunawi, and Abu Muslim al-Balkhi were reconstructed using Photoshop for historical purposes. These images were created **before 2020** (the era of AI-generated images). AI played no role in their creation. This is a standard method in historical studies and is not considered forgery. Newly Uploaded Coin Images (with Gloves) I have uploaded two new photographs of the coins (front and back) showing a person wearing gloves while holding the coins. This clearly demonstrates that the coins are real physical objects, not AI-generated or fabricated images.
Request I kindly request that you review my case and the evidence I have provided. I am ready to provide any additional documentation if needed. Please let me know if you require further information. I have been waiting for a response, but I have not received any reply so far. I would appreciate it if you could take a moment to review my response on the deletion discussion page. Thank you for your time and consideration. Sincerely, https://commons.wikimedia.org/w/index.php?title=User%3AMehranfa6278&redlink=1 Urgent Review Request: Use Google Lens to Verify My Images (Deletion Nomination - Mehranfa6278) Dear Administrator, I hope this message finds you well. I am writing to respectfully request your urgent attention to the deletion nomination for the images I uploaded (Commons:Deletion requests/Files uploaded by Mehranfa6278). I have provided comprehensive evidence, but I have not yet received a final decision. I kindly ask you to review my response and the evidence I have submitted. Why I Am Requesting Your Urgent Review: 1. **I have provided exact locations and sources** for all images, including the Vatican Secret Archives (Container V-779/M), the Khanqah of Agershah in Konya (Mount Meram), the Tomb of Muwaffaq ibn Hamdallah al-Qunawi in Hungary (Pécs, 12 Karakas Pacha utca), and the Tomb of Abu Muslim al-Balkhi in Syria (Jabrin). 2. **I have uploaded new photographs of the coins** showing a person wearing gloves while holding them, which clearly proves that the coins are real physical objects. 3. **I have clarified that all images are from authentic historical and archaeological sources**, and none were created using artificial intelligence. Some images were reconstructed using Photoshop for historical purposes, but they were created **before the era of AI** (prior to 2020). 4. **I strongly suggest you use Google Lens or reverse image search** to verify the authenticity of these images. If you search for these images, you will find them published on reputable websites such as **Virgool, Tarafdari, and Facebook**, all of which confirm their historical and documentary nature. These platforms are well-known and widely used in Iran and the Middle East, and they contain many historical and cultural images. This is the best evidence that these images are not fabricated but are sourced from legitimate historical archives. My Request: I kindly request that you take a moment to review my case and the evidence I have provided. I am ready to provide any additional documentation if needed. Please do not ignore this request, as I have made every effort to ensure the accuracy and authenticity of the images. Thank you for your time and consideration. I look forward to your response. Sincerely, https://commons.wikimedia.org/w/index.php?title=User%3AMehranfa6278&redlink=1Mehranfa6278 (talk) 14:05, 10 August 2026 (UTC) Still Awaiting Response: Please Use Google Lens to Verify My Images from Iranian Websites (Mehranfa6278)
Dear Administrators, I kindly request your attention to this deletion request. I have provided comprehensive evidence, including exact locations, sources, and new photographs of the coins with gloves.
I have been waiting for a response for several days. Please let me know if you need any further information. I am ready to provide any additional documentation if required.
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Thank you for your time and consideration. I look forward to your response.
Sincerely, Mehranfa6278 (talk) 14:08, 10 August 2026 (UTC)
- Please refer to my reply at Commons:Deletion requests/Files uploaded by Mehranfa6278. Omphalographer (talk) 18:12, 10 August 2026 (UTC)
Response to Your Concerns: Authenticity and Sources of the Images (Mehranfa6278)
[edit]Dear Administrator,
Thank you for your response. Regarding the points you raised, I would like to present the following clarifications:
1. **Regarding the authenticity of the images and their presence on other websites:** The presence of these images on well-known Iranian websites such as Virgool, Tarafdari, and Facebook indicates that these images have been publicly available for a long time and have been used as historical and archaeological documents on these platforms. These websites typically publish historical and documentary content, and these images have been used within that same framework.
2. **Regarding the locations and sources:** The information provided about the locations of the objects (such as the Vatican Secret Archives) is based on available sources and documentation. The catalog numbers and references given are derived from those same historical sources. If there is a specific method for verifying this information that I am unaware of, I would be happy to be guided.
3. **Regarding the newly uploaded images (File:1786362043389.wikipedia.png and File:1786361409133.wikipedia.png):** These images, like the others, have been obtained from historical sources, and no AI manipulation has been applied to them. These images are also available on the aforementioned websites and are used as visual documentation of historical objects.
Thank you for your time and consideration in reviewing this matter.
Sincerely, Mehranfa6278 (talk) 18:51, 10 August 2026 (UTC)
Mehranfa6278 (talk) 19:10, 10 August 2026 (UTC)
- Please stop cross-posting these extended replies to my talk page. You've already posted this to the deletion discussion page, where it belongs; posting a second copy to my talk page is not necessary or helpful. Omphalographer (talk) 19:26, 10 August 2026 (UTC)
- @Mehranfa6278: Please stop posting your comments here. If you have anything substantial to add to the deletion discussion, please post it on that page. Omphalographer (talk) 21:27, 11 August 2026 (UTC)